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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - APT Peer Conversations Project: Kitoko Mai x Brianna Seferiades - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Blog - APT Peer Conversations Project: Kitoko Mai x Brianna Seferiades - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - APT Peer Conversations Project: Kitoko Mai x Brianna Seferiades - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - APT Peer Conversations Project: Kitoko Mai x Brianna Seferiades - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2023-03-24</lastmod>
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      <image:title>Blog - Paprika's 22/23 Hot Topics Series: "Theatre isn't made for me. And it shouldn't be.", or "Wolf Creating in Sheep's Clothing" - Make it stand out</image:title>
      <image:caption>“Wolf in Sheep’s Clothing”, AI-prompt-to-painting by Paul Smith inspired by Donna-Michelle St. Bernard likening a [mal/misintention] playwright who hides harm behind their story as a wolf in sheep’s clothing.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Paprika’s 22/23 Hot Topics Series: Artist Response - Michael Caldwell - Make it stand out</image:title>
      <image:caption>A screenshot from the Paprika Hot Topic opening screen</image:caption>
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      <image:title>Blog - Paprika’s 22/23 Hot Topics Series: Artist Response - Michael Caldwell - Make it stand out</image:title>
      <image:caption>Screen shot: Cheyenne Scott (top left), Katey Wattam (top right), Yolanda Bonnell (bottom).</image:caption>
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      <image:title>Blog - Paprika’s 22/23 Hot Topics Series: Artist Response - Michael Caldwell - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Alt-family royalty free clip art</image:caption>
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      <image:title>Blog - Kaitlyn Riordan on the Family Dynamics of Governance - Make it stand out</image:title>
      <image:caption>Photo of Erin Kang</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Kaitlyn Riordan on the Family Dynamics of Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>A screenshot of the homepage of So Sumi - goaheadsumi.com</image:caption>
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      <image:caption>Glenn Sumi interviewing the great Elaine Stritch at the Toronto International Film Festival in 2012. Photo by David Hawe</image:caption>
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      <image:caption>Photo provided by Shelby Wright</image:caption>
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      <image:caption>Moments for the Neighbouring Room, photo provided by Shelby Wright</image:caption>
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      <image:title>Blog - Shelby Wright on the shape of governance - Make it stand out</image:title>
      <image:caption>Shelby Wright at Toronto Biennial, photo by Nick Rose</image:caption>
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      <image:title>Blog - Shelby Wright on the shape of governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Sophie Dow - photo credit: Graham Isador</image:caption>
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      <image:title>Blog - Sophie Dow on Values, Feasting, and other Board Business - Make it stand out</image:title>
      <image:caption>Five dancers counterbalance each other in a circle - the only possible formation to hold each other up in this position - all reaching up towards the a globe - still from They Move on Tracks of Never Ending Light (2017) by Sophie Dow - photo credit: Mackenzie Clarke</image:caption>
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      <image:title>Blog - Sophie Dow on Values, Feasting, and other Board Business - Make it stand out</image:title>
      <image:caption>Sophie Dow &amp; Vitantonio Spinelli holding each other’s hearts in performance of ‘all my relations’ - a circular ceremony at Shambhala Music Festival 2019 - photo credit: Caspian Kai</image:caption>
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      <image:title>Blog - Sophie Dow on Values, Feasting, and other Board Business - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - desirée leverenz on Feeling Governance to Heal Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - desirée leverenz on Feeling Governance to Heal Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - desirée leverenz on Feeling Governance to Heal Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - desirée leverenz on Feeling Governance to Heal Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <changefreq>monthly</changefreq>
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    <lastmod>2022-10-30</lastmod>
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      <image:title>Blog - It's Time to Talk Transition - Make it stand out</image:title>
      <image:caption>A Zoom photo from our Strategic Advisors welcome event in April 2021, with Generator staff, board, and the incoming Strategic Advisors.</image:caption>
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      <image:title>Blog - It's Time to Talk Transition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - It's Time to Talk Transition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - It's Time to Talk Transition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - It's Time to Talk Transition - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://generatorto.com/blog/governance-nidhi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-07</lastmod>
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      <image:title>Blog - Nidhi Khanna on Reframing Governance - Make it stand out</image:title>
      <image:caption>Nidhi Khanna</image:caption>
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      <image:title>Blog - Nidhi Khanna on Reframing Governance - Make it stand out</image:title>
      <image:caption>ARTS Action Research’s arts-centric concept for a healthy arts organization, via Jane Marsland. The Centre holds the principles, values, mission, purpose and particular aesthetic of the arts organization which is articulated in a document that is most fully understood by everyone in the first circle around the Centre, the Core.</image:caption>
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    <image:image>
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      <image:title>Blog - Nidhi Khanna on Reframing Governance - Make it stand out</image:title>
      <image:caption>Strategy Knotworking from Liberating Structures, via Jane Marsland: six Strategy Knotworking questions are arrayed graphically with LS [Liberating Structures] methods useful for answering each question in parentheses. A visual approach reinforces the sequence of answers that reveal a story unfolding. Read more here or visit LiberatingStructures.com.</image:caption>
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    <image:image>
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      <image:title>Blog - Nidhi Khanna on Reframing Governance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/55d5c74d-5376-43fa-8de4-9a40791d6131/DSC_4073.jpg</image:loc>
      <image:title>Blog - Governance Reimaginings (or, There’s Got To Be A Better Way) - Make it stand out</image:title>
      <image:caption>Kaitlyn Riordan, Brendan McMurty-Howlett, and AJ Richardson (left to right) in Withrow Park, Shakespeare in the Ruff’s home base, in 2012 (perhaps contemplating the nature of governance, who’s to say?) — photo by Daniel Daley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/ff243793-25e2-40f8-8f9b-0448542e8417/2021-12+Governance-intro-Brendan-Wayyne-Romeo-by+Cylla+von+Tiedemann.jpg</image:loc>
      <image:title>Blog - Governance Reimaginings (or, There’s Got To Be A Better Way) - Make it stand out</image:title>
      <image:caption>Brendan with Wayne Burns (right) in a production photo from Romeo and Juliet in 2016 — photo by Cylla von Tiedemann</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/276a0324-9426-4ce5-a451-297b0f221d70/DSC_4940.jpg</image:loc>
      <image:title>Blog - Governance Reimaginings (or, There’s Got To Be A Better Way) - Make it stand out</image:title>
      <image:caption>Brendan welcoming Ruff audiences before a performance of Two Gents in 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/cb3bd784-94a1-4a8f-8233-b00efaa8a769/OAC_REVISED_NEWCOLOURS_250x64_RGB.png</image:loc>
      <image:title>Blog - Governance Reimaginings (or, There’s Got To Be A Better Way) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/blog/peer-mentorship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/884baae6-6d78-44f5-8f6b-779024cf8c2b/xLq-32+%281%29.jpg</image:loc>
      <image:title>Blog - Reflections on Peer Mentorship - Make it stand out</image:title>
      <image:caption>xLq (Jordan Campbell + Maddie Bautista)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/6ae7ad4c-6a93-4bb5-8069-50f29fb09c55/VINCENT_HALEY+%281%29.jpg</image:loc>
      <image:title>Blog - Reflections on Peer Mentorship - Make it stand out</image:title>
      <image:caption>Haley Vincent</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/59e5f4c5-cecf-4336-95e0-d7ca33d109b5/Fatima+Adam_Picture+%281%29.jpg</image:loc>
      <image:title>Blog - Reflections on Peer Mentorship - Make it stand out</image:title>
      <image:caption>Fatima Adam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/f139540e-a84f-4f4f-aee9-8718b272cdec/kitoko.jpeg</image:loc>
      <image:title>Blog - Reflections on Peer Mentorship - Make it stand out</image:title>
      <image:caption>Kitoko Mai</image:caption>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/2021/nfp-governance-webinar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1617233044857-NX7WBBVFZYY5T1OJE5LS/ALAS-black-redx2.png</image:loc>
      <image:title>Blog - Not-for-profit Law and Governance in the Creative Industries - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/blog/learning-pathways-pay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627490346451-FUAXM23UEZLENYS7PH3K/APR-FB-Budgets-Building-no-logo.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Building Your Budget</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627490377875-HTWKLAGKMNXDDJ7UYCOG/APR-FB-Budgets-Expenses-no-logo.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Expenses</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627490419032-P8ZIBZ8S5O90I3GQ0ZK2/APR-FB-Budgets-Revenue-no-logo.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Revenue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627490648516-HQFD95MLD5UBMQQYDU8F/APR-FB-Contracts-ProfStd.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Professional Standards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627492361920-ON5ZYPVWHGZY4PX3HP4Z/_APR-FB-Contracts-Rights-nologo.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Rights and Royalties</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627492394694-WXMVAYKFWDZTQBL7JAZL/APR-FB-Contracts-Associations-nologo.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Professional Associations &amp; Unions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627336173932-JRFBVJ9970X4T27R93QF/APR.com+Expenses+Inforgraphic+08-2018.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Expenses Infographic: download the PDF by clicking the image above, or find it on the Expenses page on ArtistProducerResource.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1627336204915-6JDX1OGHX5G26J00X2RD/APR+Revenue+Infographic+-+Earned+Revenue.png</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
      <image:caption>Revenues Infographic: download the PDF by clicking the image above, or find it on the Revenues page on ArtistProducerResource.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1601938891559-FWDX83LSTL8GVCZ0Q6TL/ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: What to Pay People</image:title>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/learning-pathways-accessibility-practice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620245208008-4WJRBTMZ5J1J59YT177T/IMG_0969.jpeg</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Photo by Keshia Palm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247459097-6KO1VEEMRGMTJCDHOAD9/APR-FB-Ops-Accessibility.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Accessibility</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620248671629-0R2Z4KJE7I2PFLLBJ6SS/APR-FB-Comm-Inclusion.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Inclusion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620249285260-KDRFEF3J9B7AXMDS8G61/APR-FB-Ops-Artist+Accessibility.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Artist Accessibility</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247537784-AEVXSVWZA7RQ8Y9H80RS/APR-FB-Ops-Accessible+Performances.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Accessible Performances</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247992824-G41BL5SYKRSTRI2YM3GO/APR-FB-Mktg-Strategy.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Marketing Strategy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247558906-2BZJ9IBYARC5JEYYBJ43/APR-FB-Ops-Audience+Accessibility.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247574654-TPV71PNUQIB0XD9YKK89/APR-FB-Comm-Engagement.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Community Engagement</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247139167-TQC00WDCXNUMBCZWLLJS/spoken+language+theatre1.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Infographic: How to Make Spoken Theatre Accessible for Deaf Audiences. View the PDF by clicking the image above, or find it on Accessible Performances on ArtistProducerResource.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247166385-4NAFWU5MGLWMIPWRRD3O/sign+language+theatre1.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Infographic: How to Make Spoken Theatre Accessible for Deaf Audiences. View the PDF by clicking the image above, or find it on Accessible Performances on ArtistProducerResource.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1620247202908-L2R1XNWH2QN38WQ7CZLG/Community+Agreement+template.png</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
      <image:caption>Template: Community Agreement. Download the PDF by clicking the image above, or find it on Inclusion on ArtistProducerResource.com. More templates: find the Theatre Venue Accessibility Audit Checklist on Audience Accessibility on ArtistProducerResource.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1601938891559-FWDX83LSTL8GVCZ0Q6TL/ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Accessibility as a Practice</image:title>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/learning-pathways-digital-communications</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1617667424944-4MD71BF4KZB5S9D32CH0/APR-FB-Mktg-Social+Media+%281%29.png</image:loc>
      <image:title>Blog - Learning Pathway: Digital Communications</image:title>
      <image:caption>Social Media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1617667463087-0OUNH6HLSXU3TYGN8KQ3/APR-FB-Accessible+Communications+%281%29.png</image:loc>
      <image:title>Blog - Learning Pathway: Digital Communications</image:title>
      <image:caption>Accessible Communications</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1617667488908-LQOT0IWQMSNX9TZ8VHM4/Newsletters</image:loc>
      <image:title>Blog - Learning Pathway: Digital Communications</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1617666301348-6D47XQUP619TLYFBBPG1/2021-03+Digital+Comms+-+Accessible+Design+posters+-+Karwai+Pun+UK+gov.png</image:loc>
      <image:title>Blog - Learning Pathway: Digital Communications</image:title>
      <image:caption>Six posters illustrating the “dos and don’ts” of designing for accessibility, created by Karwai Pun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1601938891559-FWDX83LSTL8GVCZ0Q6TL/ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Digital Communications</image:title>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/hst-dilemma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1614024802651-RMQZEBGFEJZFPK8K7BGG/GST+and+HST+on+ArtistProducerResource.com</image:loc>
      <image:title>Blog - The HST Dilemma</image:title>
      <image:caption>For a general overview of sales tax, visit GST &amp; HST on ArtistProducerResource.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1614024730326-N4WOVHDDNMLPHMEMQH3S/HST-sales-tax-map-Crowe-Soberman-LLP-July-29-2020.jpg</image:loc>
      <image:title>Blog - The HST Dilemma</image:title>
      <image:caption>Canadian tax rates as of July 29, 2020 — credit: Crowe Soberman LLP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1614025777142-JT24HKB9MJPZC3UZW055/Sales+Tax+table+February+2021</image:loc>
      <image:title>Blog - The HST Dilemma</image:title>
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    <loc>http://generatorto.com/blog/learning-pathways-tax</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1612910139712-C1C27ODHNUSP7AEZD4IO/APR-FB-ArtistLife-Income-Tax-WIDE.png</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1612910263691-REE98W3BA61XETX09KOA/APR-FB-Contracts-Employee.png</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1612910202165-WCOAR6ONI6ZB20T65QGF/APR-FB-ArtLife-Personal+Finance.png</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1612910950339-P9VZ3GTYE0YUMHTVX84N/Receipts</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1612910930988-4AYK6TY7RP9H8RIJLVK0/Government%2BGrants%2Band%2BTheir%2BTax%2BTreatments.jpg</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1601938891559-FWDX83LSTL8GVCZ0Q6TL/ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Tax Season</image:title>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/financial-resources</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1611251343867-EMU4B8NGD08ALK2OQWZG/Financial+Literacy+Resources.png</image:loc>
      <image:title>Blog - Resource Round-up: Financial Literacy</image:title>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/boards-discussion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1611089666817-S6X1OUPJM1ZYOWCP47D7/Generator%2BGenerations%2Bdiscussion%2Bon%2Bboards%253A%2Bwhat%2Bis%2Bpossible%253F</image:loc>
      <image:title>Blog - Board Governance:  What is it? What is possible?</image:title>
      <image:caption>Present at the Zoom discussion this blog post was based on: seven community members (Eva Barrie, Robyn Breen, Jacqueline Costa, Rohan Dhupar, Brock Hessel, Brendan Howlett, and Kaitlyn Riordan) and Generator’s staff team (Annie Clarke, Sedina Fiati, Kristina Lemieux, and Keshia Palm).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1611087413063-9F8Q1QIY0K32JQGBX37O/Generator%27s+fundraising+event+%27Wrecked%27</image:loc>
      <image:title>Blog - Board Governance:  What is it? What is possible?</image:title>
      <image:caption>One of the areas non-profits tend to lean on boards for? Fundraising! The Generator board put a ton of work into our summer fundraising party, Wrecked, in June 2019. Left to right: Sedina Fiati (staff), board members Elenna Mosoff, Claire Burns, and Quinn Harris, with Kristina Lemieux (staff) and Mikaela Demers (seated).</image:caption>
    </image:image>
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  <url>
    <loc>http://generatorto.com/blog/learning-pathways-personal-organization</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1608316988467-44J6IN8HS98VS7JY14BS/Personal+Finance+on+ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Personal Organization + Business Management</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1608317111253-WLICK1ATAPQYGV4YIZOP/Information+Management+on+ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Personal Organization + Business Management</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1608317133473-LH8GNATAU91OY557MQ7C/Websites+on+ArtistProducerResource.com</image:loc>
      <image:title>Blog - Learning Pathway: Personal Organization + Business Management</image:title>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>My first day at the Generator office in January 2018! When I thought I was signing on for a mere part-time one-month contract! The naïveté…!</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>When we thought I was leaving Generator, we tried to hire a new Communications Producer, but didn’t find anyone….so Kristina just waited until I came crawling back (hiring committee selfie with Christopher Manousos)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>Probably my favourite photo of the four of us (sometime in spring 2019—shoutout to this team for making it easy for me to disappear to Paris for six months, approx. 4.7 lifetimes ago)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>My proudest moment at Generator: winning the ‘Most Entertaining’ award at our Generator Generations belated holiday gathering in April 2021 (Olivia Shortt won ‘Best Dressed,’ in case that wasn’t obvious…please note the neon green fur coat. Also pictured here: Neta Rose, Keshia, Brian Postalian, Tsholo Khalema, Christopher Manousos, Sedina, Kristina, Kaitlyn Riordan, Emma Westray, and Erika Morey)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>A distanced staff hang in Kristina’s backyard in June 2020, featuring Audrey, Meg, and Meg’s very new baby! (This will also be the photo I share with the world if my bike ever gets stolen—thieves beware!)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>The closing gathering for the Strategic Advisors in December 2021! It was a privilege to be trusted with coordinating this program/beautiful experiment—I learned SO much from these folks (Daniel Bennett, Leelee Oluwatoyosi Eko Davis, Sedina, Brendan McMurtry-Howlett, Karthy Chin, Ryan G. Hinds, Nidhi Khanna—not pictured—and of course Kristina, yet again)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>One of my four visits to the office since March 2020! Getting to onboard Michael has been such a highlight—I can’t wait to see where he takes Generator next (and where he’s already taking it!)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/49e6032d-a845-4f21-ba0d-9705e80bf95c/2020-10-13+-+Food+for+Thought+-+boards+with+kristina+-+zoom+screenshot+%28KLX%2C+Annie%2C+Robyn+Breen%2C+Rohan+Dhupar%2C+Kaitlyn+Riordan%2C+Brock+Hessel%2C+Eva+Barrie%2C+Sedina%2C+Jacqueline+Costa%2C+Brendan+McM-H%2C+Keshia%29.jpg</image:loc>
      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>Forever grateful for the many hours on Zoom with this community talking about ideas—this is from our ‘Food for Thought’ on Rethinking Boards (a recurring theme…) in October 2020 (pictured here: Kristina, Robyn Breen, Rohan Dhupar, Kaitlyn Riordan, Brock Hessel, Eva Barrie, Sedina, Jacqueline Costa, Brendan McMurtry-Howlett, and Keshia’s gorgeous headshot by Haley Garnett)</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>Celebrating the end of moving day (CSI Bathurst —&gt; Trinity St. Paul’s) in September 20219—photo by plant-mobile-partner-in-crime Keshia Palm</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>Hitting the nail on the head by standing under the words “engaged with each other” at our (in-person!) Generator Generations gathering/transitions party in November 2021</image:caption>
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      <image:title>News - Team Transitions: Annie Clarke - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
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    <loc>http://generatorto.com/news/transitions-kristina</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>News - Team Transitions: Kristina Lemieux - A note from Kristina</image:title>
      <image:caption>Photo of Keshia Palm by Haley Garnett</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Keshia, Sedina, and Kristina at the 2019 Wrecked summer party</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>L-R: Kristina, Keshia, Sedina, Audrey, and Annie at the January 2020 Winter Warm-up Generator Generations gathering</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina at an August 2019 ‘Making Space for Conflict and Dialogue' workshop at SummerWorks Exchange, in partnership with Generator’s Transform Dance project</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina at the CSI Spadina office, featuring headshots and bios of all the Artist Producer Training, Resident Company, and Company Collaborator participants for 2017/18</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>A 2018 potluck gathered members of the Resident Companies and Company Collaborators</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>The Strategic Advisors Welcome Meal on Zoom in April 2021, with staff, board members, and the seven Strategic Advisors</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina (centre) with Keshia (right) and Susanna Fournier (left), who produced the Empire Trilogy in residence with Generator</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina with Jeremy Mimnagh, Rachel Penny (centre), and Heidi Strauss (right) from Company Collaborator adelheid dance, at the 2019 Wrecked summer party</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina at the CSI Bathurst office with the 2018/19 Artist Producer Training cohort</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina with (L-R) Katie Leamen (past staff), Emma Westray (APT alum) and Laura Nanni (SummerWorks) in 2017</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>East Coast living</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Michael Wheeler (left) and Michael Caldwell (right) with Kristina at a November 2021 gathering</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Ryan with Kristina at a performance in New Brunswick in December 2021</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Surprise! Kristina’s first year at Generator coincided with some really frustrating cuts to arts funding—the budget shrank, and she had to reinvent the staffing structure. Here she is with outgoing Executive Director Michael Wheeler and Director of Coordination &amp; Communications Katie Leamen at #UrgentExchange at TPM in 2017.</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>2018 was a year of staffing transitions. Sedina, Keshia, and Annie all began (very) part-time roles. At a September 2018 meeting, the new team met all together for the first time, with outgoing Special Projects Coordinator Lisa Alves (right).</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Community events like #UrgentExchange were powerful ways to convene conversation. But we paused them (and public workshops) when less resources meant we needed to do less. Kristina was careful to make sure we always moved at the pace of our staffing capacity. A January 2018 #UrgentExchange featured a panel discussion with Michael Maranda, Jiv Parasram, and DM St-Bernard (out of frame).</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina facilitated or co-facilitated FIVE years of Artist Producer Training programs! APT 2017/18: (top row) Chiamaka G. Ugwu, Christopher Manousous, Mamito Kukwikila, Michelle Langille, Ruthie Luff, Emma Westray, Kristina; (bottom) Ishai Buchbinder, Maddie Bautista, Katie Leamen (Facilitator), Brian Postalian</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>APT 2018/19: Kitoko Mai, Teiya Kasahara, Tsholo Khalema, Jordan Campbell, Mikaela Demers, Karthy Chin. Pictured here: Sedina, Kitoko, Karthy and Kristina.</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>APT 2020/21: (top row) Olivia Shortt, Kristina, Makram Ayache; (middle) Brock Hessel, Rochelle, Sedina; (bottom) Annie and Avery Jean</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Social time is community building time, and this was enshrined as a value — we got in three years of friend-raising summer parties on the Pirate Life Toronto boat before Covid ground them to a halt. Boat Booty Bash in June 2018 with Elenna Mosoff, Sabah Haque, Lisa Alves, Emma Westray, and Quinn Harris</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>APT past and present gather for the 2017/18 Welcome Cruise.</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Wrecked in June 2019 with Sedina, Elenna Mosoff, Claire Burns, Quinn Harris, and Mikaela Demers.</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Financial Literacy has evolved into a major focus at Generator, and the demand for the programs has never been higher than throughout the pandemic. Kristina developed and delivers this programming with Audrey Quinn and Natasha Mytnowych, and we hear year after year of its game-changing impact on participants’ lives. With Natasha and Audrey in 2018</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Dozens of artists and producers got support through the Resident Company and Company Collaborator program, a number of whom we first met through APT. Kristina’s mentorship has been in the bones of some of your favourite indie performances in Toronto in recent years, I promise. A meeting between Resident Companies the AMY Project (Nikki Shaffeeullah, left, and Rachel Penny, out of frame) and House + Body (Emma Westray and Christopher Manousos) in 2018</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>ArtistProducerResource.com was launched early in Kristina’s tenure, and has absolutely blossomed under her leadership, now reaching around 20,000 users each year. She also launched a Patreon to support the site, which brings in more than $250/month from community backers. Kristina at the August 2019 Wiki Edit-a-thon as part of the SummerWorks Exchange Info Fair (photo by Andrew Williamson)</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Transform Dance was Kristina’s baby—she got the funding, she made this huge project happen, and its ripples are being felt in beautiful ways. A spring 2020 podcast recording session with Advisory Board members Karen BK Chan, Hirut Melaku, and Douglas Stewart, project coordinator Meg Saxby, and podcast producer Katie Jensen</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina got us through the rough early Covid days, from office chair deliveries, to reminders to cut ourselves some slack (on Slack). Office chair deliveries in April 2020</image:caption>
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      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Kristina put her decades-long frustration with the non-profit board model into a grant application to reimagine governance, and as a result we had the privilege of learning about and thinking through making boards better this past year, alongside longtime collaborators the Toronto Dance Community Love-in and Shakespeare in the Ruff. Kristina and Annie with Kaitlyn Riordan (top right) and (bottom, L-R) Shelby Wright, Sophie Dow, and Brendan McMurtry-Howlett</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1601926050941-ZN0SKHWL023WO6PL1F0L/Kristina-blog.png</image:loc>
      <image:title>News - Team Transitions: Kristina Lemieux - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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    <loc>http://generatorto.com/news/transitions-sedina</loc>
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    <lastmod>2025-04-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1686264773247-TIHVT1QQEEIMESNAG4AV/1.png</image:loc>
      <image:title>APT EMBEDDED - Danny Sylvan (He/Him)</image:title>
      <image:caption>EMBEDDED IN THE TORONTO FRINGE Danny Sylvan is a theatre producer, director, actor and playwright. Danny studied Theatre and Performance at York University, with a specific study of playwriting and new play dramaturgy. Aside from directing independent projects written by himself, Danny Assistant Directed The 25th Annual Putnam County Spelling Bee at Vanier College Productions, and this January, he Directed their production of The Labyrinth of Desire. Danny has a passion to expand his artistry by producing and directing works that explore the voices of ‘the other’ in common everyday situations. The opportunity to collaborate with the 35th Toronto Fringe Festival is truly a treat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1686264773247-TIHVT1QQEEIMESNAG4AV/1.png</image:loc>
      <image:title>APT EMBEDDED - Danny Sylvan (He/Him)</image:title>
      <image:caption>EMBEDDED IN THE TORONTO FRINGE Danny Sylvan is a theatre producer, director, actor and playwright. Danny studied Theatre and Performance at York University, with a specific study of playwriting and new play dramaturgy. Aside from directing independent projects written by himself, Danny Assistant Directed The 25th Annual Putnam County Spelling Bee at Vanier College Productions, and this January, he Directed their production of The Labyrinth of Desire. Danny has a passion to expand his artistry by producing and directing works that explore the voices of ‘the other’ in common everyday situations. The opportunity to collaborate with the 35th Toronto Fringe Festival is truly a treat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1686264773031-LUAH5STSRE50DOQKITXM/4.png</image:loc>
      <image:title>APT EMBEDDED - Kass Pruss (They/Them)</image:title>
      <image:caption>EMBEDDED IN DANCEMAKERS Kass Prus (they/them) is a non-binary trans, queer, autistic, and disabled holistic health counsellor, yoga therapist, and performing artist. As a 2nd generation Ukrainian-Canadian settler growing up Tkaronto (Toronto, ON), Kass was immersed in ancestral traditions, dance, music, and art. After coming out, Kassandra left their diaspora communities and immersed in the breadth of practices of the yoga therapy lineage of TKV Desikachar. Currently, Kass is reclaiming their bone-deep love of Ukrainian traditions and Slavic mythology; processing the ableism and transphobia that they faced as an artist, arts educator, and yoga teacher; and exploring if their post-modern art background may provide the arena for all their intersectionalities to integrate.</image:caption>
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      <image:title>APT EMBEDDED - Shivani Joshi (She/Her)</image:title>
      <image:caption>EMBEDDED IN SHAKESPEARE IN THE RUFF Shivani Joshi has been trained as a Bharatnatyam dancer for over 20 years. She completed her Arangetram with Avni Vyas at Shivanjali Dance Academy and graduated with a Master's in Performance Studies from NYU Tisch School of the Arts in 2021. Her dissertation focused on communities of women creating cultural spaces, colonialism in India, and how it affected Bharatnatyam as a whole. Shivani advocates for the importance of folk arts, such as garba, and teaches various folk dances and prop work that is prominent in Indian culture. Most recently, she created Shiva/Shakti – Eternal Lovers, a film for Guelph Dance SDS, and performed Tangled Threads at the AGH. Currently, she works as an artist/writer/producer, combining media and narrative to explore stories to tell modern stories, and playing with metaphor in physical form.</image:caption>
    </image:image>
    <image:image>
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      <image:title>APT EMBEDDED - Jahnelle Jones (She/Her)</image:title>
      <image:caption>EMBEDDED IN SUMMERWORKS Jahnelle Jones (she/her) is a Black queer Toronto based writer, actor, director, and producer. She’s been in the Toronto theatre community since 2014 and is one of the founders of Rookies with Friends, an emerging artist theatre collective. Jahnelle now creates and writes for tv and film. She’s written two short films as a part of Human Body Expressions series - ‘What Happened to Lee?’ and she will soon be going into production directing her first short film Fourteen. Jahnelle co-founded Second Adolescence Productions with Kat Khan and they are currently writing a feature film titled Fan Club that has had the support of the IPF, CMF, and Canada Council for the Arts.</image:caption>
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  <url>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161669944-OAX8ZYXB0SOI39JCSDPE/Ashley.png</image:loc>
      <image:title>APL 2024 - participants and mentors - Ashley T. (she/her)</image:title>
      <image:caption>As a young, Black Biracial, Bisexual Woman with Bipolar Disorder, Ashley T. has coined herself as “The BiFecta”. She is a self-taught, award-winning, multidisciplinary disabled artist, storyteller, and maker who creates imaginative projects that bridge the realms of the abstract visual, literary, and performance disciplines. Inspired by her intersectional identities, Ashley prides herself on immersing her art with political insight, profound emotion, and abstract symbolism. At its core, her art celebrates Black female empowerment, Queer pride, and enriched mental health. She uses her art to ground and remind herself of the power she possesses to be a positive change in this world.</image:caption>
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      <image:title>APL 2024 - participants and mentors - Ashley T. (she/her)</image:title>
      <image:caption>As a young, Black Biracial, Bisexual Woman with Bipolar Disorder, Ashley T. has coined herself as “The BiFecta”. She is a self-taught, award-winning, multidisciplinary disabled artist, storyteller, and maker who creates imaginative projects that bridge the realms of the abstract visual, literary, and performance disciplines. Inspired by her intersectional identities, Ashley prides herself on immersing her art with political insight, profound emotion, and abstract symbolism. At its core, her art celebrates Black female empowerment, Queer pride, and enriched mental health. She uses her art to ground and remind herself of the power she possesses to be a positive change in this world.</image:caption>
    </image:image>
    <image:image>
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      <image:title>APL 2024 - participants and mentors - Azeem Nathoo</image:title>
      <image:caption>Since graduating from LAMDA in 2001, Azeem continues to perform on both stage and screen, having earned multiple nominations while also being a recipient of a Tyrone Guthrie Award at the Stratford Festival. In 2017 he became one of nine co-producers of Tragedie of Lear at the Palmerston Library in Toronto and the following year served as Soheil Parsa’s mentee and Assistant Director in Bloom (Buddies in Bad Times). During the pandemic he co-founded his own theatre company called Phoenix Arts to provide Free Audition Clinics to artists in need before producing his first play 1184 which premiered in Spring 2022 at Theatre Passe Muraille where he is now also a Board Member. These past two years Azeem has co-directed Shakespeare for George Brown College’s first- year performance students and this summer he will be leading free artist workshops for newcomers and refugees in partnership with Modern Times Stage Company.</image:caption>
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      <image:title>APL 2024 - participants and mentors - Charlie Petch (they/he)</image:title>
      <image:caption>Charlie Petch (they/he) is a disabled &amp; transmasculine multidisciplinary artist. Their poetry collection/Audible book, Why I Was Late (Brick Books), won the 2022 ReLit Award, and was named "Best of 2021" by The Walrus. Petch received a Lifetime Achievement Award for Spoken Word from the League of Canadian Poets. Petch’s solo show “No One’s Special at the Hot Dog Cart” premiered in 2024 with Theatre Passe Muraille.</image:caption>
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    <image:image>
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      <image:title>APL 2024 - participants and mentors - isi bhakhomen (they/them)</image:title>
      <image:caption>isi bhakhomen (they/them) is a storyteller of Afro-Peruvian and Nigerian descent. Their work as an artist spans many different mediums. Through stories they aim to build worlds that give black folks the freedom to breathe, to laugh and to heal.</image:caption>
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      <image:title>APL 2024 - participants and mentors - Jules Vodarek Hunter (they/them)</image:title>
      <image:caption>Jules Vodarek Hunter (they/them) is of Slavic and Scottish ancestry and a settler living in Tkarón:to. Jules is an organizer, facilitator, stage and production manager. They are the co-creator of Fat Fables, a program for Queer &amp; Fat folks to gather together to make art and tell their stories. They have worked in various roles across the non-profit arts sector, including at The Toronto Fringe, Workman Arts, Summerworks Festival and The AMY Project. Currently, they are excited to be co-leading The AMY project with Morgan. Jules is dedicated to bringing care, compassion and empathy into theatre and creative spaces. Jules advocates for mental health justice, fat liberation and creating spaces for shared experiences and support. They are currently in their second year of training at the Centre for Training in Psychotherapy.</image:caption>
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      <image:title>APL 2024 - participants and mentors - Morgan Davis</image:title>
      <image:caption>Morgan is a Black, Fat, Queer, trans masculine-of-center artist, peer supporter, and facilitator. Morgan has worked at Supporting Our Youth (SOY) as a community program worker for over three years. They’re passionate about the power of storytelling and being their drag persona Chocolate Baby Daddy. You may have seen them performing in Pride TO, Buddies In Bad Times, and Blockorama. They are the co-creator of Fat Fables an art creation program for Fat 2SLGBTQ youth.</image:caption>
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  </url>
  <url>
    <loc>http://generatorto.com/pdu-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533423370-J9H69BAAWRXR52VDDQN6/0018_17A+-+Roshni+Riar.jpg</image:loc>
      <image:title>PDU 2024 - Roshni Riar (She/They)</image:title>
      <image:caption>Roshni is a Punjabi poet, interdisciplinary artist, and community organizer working and playing on the unceded territories of the Squamish, Musqueam, and Tsleil-Waututh peoples, colonially known as Vancouver, British Columbia. Through her work, she explores the relationships between cultural and ancestral knowledge, migration, language, and the body. Her work has appeared in literary magazines such as Room Magazine, CV2 Magazine, Antigonish Review, Parentheses Journal, Canthius, Honey Literary, HIR Zine, Woodhall Press’ Non-White and Woman anthology, and more.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533423370-J9H69BAAWRXR52VDDQN6/0018_17A+-+Roshni+Riar.jpg</image:loc>
      <image:title>PDU 2024 - Roshni Riar (She/They)</image:title>
      <image:caption>Roshni is a Punjabi poet, interdisciplinary artist, and community organizer working and playing on the unceded territories of the Squamish, Musqueam, and Tsleil-Waututh peoples, colonially known as Vancouver, British Columbia. Through her work, she explores the relationships between cultural and ancestral knowledge, migration, language, and the body. Her work has appeared in literary magazines such as Room Magazine, CV2 Magazine, Antigonish Review, Parentheses Journal, Canthius, Honey Literary, HIR Zine, Woodhall Press’ Non-White and Woman anthology, and more.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533430279-352V604TXBVNMJ4QL6FQ/IMG_1349+-+SUE-TANYA+PARKS.JPEG</image:loc>
      <image:title>PDU 2024 - Sue-Tanya Lee (She/Her)</image:title>
      <image:caption>Sue-tanya is an independent theatre producer who is interested in developing works by artist from marginalized communities and creating space for new and innovative multidisciplinary work that pushes boundaries and challenges conventional storytelling in bold new ways. She loves experimenting with ideas that are big and can sometimes seem risky—exploring intersectionality across artistic mediums that can elevate storytelling. With a fascination for technology and its creative applications, she enjoys incorporating video production, photography, drones, and other tech elements into her work. Themes she is interested in exploring, but not limited to include conflict, identity, trauma, consciousness, lineage and spirituality. Her work as Producer include: Star People (Leigha Lee Brown Theatre); The Refugee Hotel (Leigha Lee Brown Theatre).</image:caption>
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      <image:loc>https://static1.squarespace.com/static/5565ecede4b0df78d78d2b36/671695a88460af197a37bd4b/671695b2bc00be140c742004/1729621884322/</image:loc>
      <image:title>PDU 2024</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533419503-FVVVFK8B12EMH57HWSJG/DS+Headshot+4+-+Deval+Soni.jpeg</image:loc>
      <image:title>PDU 2024 - Deval Soni (He/Him)</image:title>
      <image:caption>Deval is a South Asian actor with over eight years of experience in theatre, film, and television, working across Canada, India, and Italy. He holds a Theatre Arts &amp; Performance degree from Centennial College,Toronto and a Bachelor’s in Drama from Gujarat University, India. He recently founded Dramatic Jukebox, a production company focused on diverse and innovative storytelling across various mediums. It has produced theatre productions such as Animalia at the Mississauga Multilingual Fringe Festival and Toba Tek Singh at the Toronto Fringe Festival. His upcoming directorial project is a children’s adaptation of Ram Leela. As an actor, Deval is a two-time national award winner for best proscenium play in India. He has appeared in commercials for Centennial College and Vadilal Ice Creams, and will be featured in Netflix’s Mismatched Season 03. His current theatre productions include The Wedding Party and Where Dark Things Dwell.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533459277-E6H9ICPPQ1A25OQD4GTS/IMG_3794+-+srutika+sabu.png</image:loc>
      <image:title>PDU 2024 - Srutika Sabu (She/They)</image:title>
      <image:caption>Srutika is a recovering doctor turned artist. Her first artistic loves are visual art and music, and her second love is comedy and clown. After an existential crisis, she found her voice as a performer, comedian, and writer through improv and clown classes. Most recently, she created and starred in the Toronto Fringe show 1 Santosh Santosh 2 Go, directed by Ken Hall. Srutika is also an alum of ArtWorksTO, the Fringe TENT program, and Theatre Gargantua’s TD Emerging Artists Roundtable, where she continues to expand her multidisciplinary practice.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533454051-7W5IP049OQT0HPKCSYQ0/IMG_9278+-+Murilo+Masa.JPG</image:loc>
      <image:title>PDU 2024 - Murilo Salvador</image:title>
      <image:caption>Born in São Paulo/Brazil, Murilo is a performance artist who sees theatre as a powerful tool for social change. In Toronto, Murilo joined the School of Theatre at George Brown College and produced the show “My Time Will Come” for the Fringe Festival Toronto 2024. Acting credits include “My Time Will Come” (Seu Tarso), Era Uma Vez – Nem Tudo é o que Parece (Iago), A Janela de Plínio (Sombra), A Hora e Vez de Augusto Matraga (Joãozinho Bem-Bem), Apocalipse (Anti-Cristo), and more. When not performing, Murilo dedicates his time as a Social Worker. He is also passionate about singing, esotericism, coffee, and bicycles. Murilo thanks everyone who has empowered him to pursue an arts performer career abroad.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533452689-UD8858D9I401UYT8HAC1/IMG_7660+2+-+Josh+Marchesini.PNG</image:loc>
      <image:title>PDU 2024 - Josh Marchesini (He/Him)</image:title>
      <image:caption>Josh is a Salvadoran-Canadian writer and artsworker, based in Tkaronto. He is a proud alum of Our Bodies, Our Stories, a creation and performance mentorship program for queer/trans Indigenous, Black and racialized artists, mentored by Kama La Mackerel. His writing has appeared in venues like Articulation Magazine, articule, Vie des Arts, Centre Skol des arts actuels and Mass Culture. Josh has worked in administrative roles with Teesri Duniya Theatre, Canada's Theatre Museum, Theatre Passe Muraille, PACT, Dance Umbrella of Ontario and The Theatre Centre. He holds a Graduate Certificate in Arts Administration &amp; Cultural Management from Humber College and a BA in Art History &amp; Communications Studies from McGill University. Josh is an emerging producer interested in work that centres Latinx/e perspectives, disruption, chisme and queer joy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533456538-7JUHAFE8IQLWSAVYUGX4/Judah+2+%288-10-1+-+Judah+Parris.jpg</image:loc>
      <image:title>PDU 2024 - Judah Parris (He/Him)</image:title>
      <image:caption>Judah Parris is an actor, playwright, and producer of mixed Afro-Caribbean heritage. He graduated from George Brown Theatre School and founded Fresh Palette, an indie theatre company with a focus on diversity and creating new works with emerging artists. For Judah, theatre means honoring his family and forging his own. As a neurodivergent person, he’s had a hard time getting to where he is and wants to nurture empathy and thoughtfulness, whenever he can. Judah recently wrote his first play Painting by Numbers, which was produced at the Toronto Fringe 2024. He also recently finished work at Theatre on the Ridge where he wrote and performed a monologue about Samuel Stout, the first black resident of Scugog. In November he'll be performing in Machinal by The Flare Productions. Other credits include “Low Pay, Don’t Pay” (Anand Rajaram, 2023) and “Anatol” (Severn Thompson, 2023).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533460205-9I6LGQVH81W9UZX96NRG/Nahin+Profile+Pic+Santorini+Greece+-+Nahin+Idris.jpg</image:loc>
      <image:title>PDU 2024 - Md Nahin Idris (He/Him)</image:title>
      <image:caption>Nahin’s journey through the arts is a tapestry woven with purpose and passion. Over 15 years, he has championed causes from disability arts to gender equality, threading together festivals that amplify unheard voices and projects that honor cultural heritage across Bangladesh, South Asia, and the UK. Each initiative he touches transforms art into a bridge, connecting communities and sparking change. Now, as he steps into Canada’s cultural landscape, Nahin brings this spirit of artistry and advocacy to new soil. He envisions inclusive spaces where creativity blossoms into community pride and voices long silenced find resonance. In this fresh chapter, Nahin’s commitment to the arts as a vessel for belonging and transformation is unwavering, as he continues to craft experiences that echo beyond the stage, leaving lasting imprints on hearts and minds.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533459842-5ZAAURLC5U6CN3MBXY0F/Mandy+E.+MacLean_Headshot_Samantha+Hurley+-+Mandy+E.+MacLean+-+Mandy+E.+MacLean.png</image:loc>
      <image:title>PDU 2024 - Mandy E. MacLean (She/Her)</image:title>
      <image:caption>Mandy is a proud Maritimer, now based in Tkarón:to. She is a member of the Mad community, has experienced multiple traumatic brain injuries, and has a Cocker Spaniel named Mulder. Mandy is a theatremaker in various roles; and is currently the Dramaturgy &amp; Accessibility Associate (Metcalf Foundation Intern) at TPM. Recently, Mandy coordinated an access-based project with W. Ross School for the Blind, was the Arts Activation Coordinator for Frog in Hand’s Art Shelter, and coordinated access for Crossroad Theatre’s Summer in the Park. Next, she will be the Access Support &amp; Associate Dramaturge for Blind Dates at TPM, produce an access-imagined adaptation of Journey to the Center of the Earth, and continue development on The Concussion Play; or How I Learned to Wait (supported by Why Not, Tangled Arts, Theatre Gargantua, TPM, and the OAC). She believes that considering access can lead to exciting work and experiences for everyone.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729533461390-INHXGNBJQKAB7RAN5LK9/Rahaf.Headshot.Bangs2022+-+Rahaf+Fasheh.jpeg</image:loc>
      <image:title>PDU 2024 - Rahaf Fasheh (She/Her)</image:title>
      <image:caption>Rahaf is a passionate stage director, educator, and producer, placing integrity, community, and play at the core of her work. Rahaf is dedicated to amplifying under-represented communities, especially focusing on Arab, immigrant, and new-comer experiences. With a BSA from UofT specializing in Theatre, Rahaf has had diverse training with Paprika Directors Lab (2021), Nightwood Theatre Innovators Program (2022), Factory Theatre’s Training Enhancement Program for Directing (2023), and Artistic Interning with Theatre Gargantua (2023). Her directorial debut saw a sold-out two-week independent run at Theatre Passe Murraille (2019), and is excited to a Assistant Direct the premier of 'After the Trojan Women' in Edmonton in January 2025, a show she directed as a stage reading with Pleidas Theatre. As an educator, Rahaf teaches improvisation, text-analysis, and devised theatre to students aged 4-16 at Young Peoples Theatre, Stage Coach, Tarragon Theatre, and City of Mississauga. She is excited for the release of the short animation film 'How We Fall in Love' in 2025, which she has been production managing for the last 2 years with an international team with the support of OAC and under Hakawatieh Productions.</image:caption>
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      <image:title>PDU 2024 - Sepehr Reybod (He/Him)</image:title>
      <image:caption>Sepehr is an Iranian-born actor, playwright, and director based in Toronto. Select credits include: ENGLISH, Soulpepper; R+J, WhyNot Theatre &amp; Stratford Festival; RICHARD III, Stratford Festival. Directorial credits include: the 2023 Fringe hit One Night Only, duhdumduhdum productions; Here Lies Henry (Assistant), Factory Theatre; IMMOLATION (Assistant &amp; Text Developer), University of Waterloo. Sepehr holds a BFA Spec. Honours in Acting from York University and is an alumnus of Factory Theatre’s Training Enhancement Programs The Mechanicals (2018-2019) and Foundry (2019-2020).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729621918182-HNLTRL9MLDYFLUDJ2H3A/image_6483441+-+Danah+Rosales.JPG</image:loc>
      <image:title>PDU 2024 - Danah Rosales (she/her/siya)</image:title>
      <image:caption>Danah is known as Maldita Siriano 007 in the ballroom scene, is a Tkaronto based queer millennial; 2nd-gen Canadian-Filipinx; a daughta; a cister; a solo parent of two humans; legendary women’s performance motha of the kiki house of siriano; and a 3-time Dora Award nominated artist in which her work encompasses, contributes and invests into the Canadian dance and ballroom scene through dancing, teaching, coaching, mentoring, consulting, producing, organising, collaborative and interdisciplinary choreography and performance. Danah now emerges as a choreographer and aspiring producer and curator connecting ballroom arts to different stages with ballroom specific works, “The Grand March of the House of Siriano” that was presented by Fall for Dance North Fall 2021 and “GIVE ME ONE” presented by Toronto Dance Theatre Spring 2023, where the cast was nominated for the ‘Outstanding Performance by an Ensemble’ Dora Award.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729622163406-MG30LTASU7PA998HLWPO/IMG_0049+-+Gaitrie+Persaud.jpeg</image:loc>
      <image:title>PDU 2024 - Gaitrie Persaud-Killings (She/Her)</image:title>
      <image:caption>Gaitrie Persaud-Killings is a Tkaronto-Guyanese raised Deaf actor, activist and mother of three based in Toronto. An ASL coach and ASL music performer, she is also the founder of Phoenix the Fire, a theatre and film community hub for BIPOC Deaf artists, where she is building the support structure she finds lacking in Canada. Gaitrie is currently a news presenter on Sign 1 in Atlanta as well as a regular on Nickelodeon Jr. Blues Clues &amp; You, CBC Gem’s Silly Paws, on AMI ‘Breaking Character’ and also she’s Arianna on Squeaky Wheel Canada. She strives to balance two lives—one in Toronto with her family and the other in Atlanta, where a thriving Deaf community offers opportunity.</image:caption>
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      <image:title>PDU 2024 - Hemali Ratnaweera (She/They)</image:title>
      <image:caption>Hemali has a background as a director, stage manager and producer. She is a recent alumni of the Paprika Theatre Festival 2024, where she directed and produced Chitra by Rabindranath Tagore-an experience that gave her the opportunity to connect with her South Asian roots and community. In the past, she has also directed Cursed! for Hamilton's Fringe Festival, which won the Best of Family Fringe Award and recently stage managed King City Theatre company's inaugural run of Salt-Water Moon up in King City. Hemali finds theatre to be a compelling, wonderful art and is passionate about telling stories that bring people together through culture, identity and the many chapters we go through in life. She thanks Generator for the opportunity to be a part of this year's cohort.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729622630489-JW98ZXZLWSI8ZF4M97V3/THAVA%2C+Ganesh+-+Headshot+-+Ganesh+Thava.png</image:loc>
      <image:title>PDU 2024 - Ganesh Thava (He/Him)</image:title>
      <image:caption>Ganesh is a Tamil-Canadian writer, director, and producer active in both theatre and film. He trained at the George Brown Theatre School in Toronto and the Neighborhood Playhouse Theatre in New York. Before his career in the arts, Ganesh earned a marketing degree from Toronto Metropolitan University and worked in advertising. As an arts administrator, he has contributed to organizations like the York Region Arts Council, Driftwood Theatre, and Theatre Gargantua. His short films, including "The Orchid &amp; The Tree," "Bark," and "Imposter," have garnered international attention, with screenings in the US, India, Indonesia, and South Korea. He is currently developing his feature film "Man Abroad," which was shortlisted for the Whistler Film Festival’s Screenwriters Lab. In theatre, Ganesh directed the Primetime Award-winning Toronto Fringe show "My Korean Canadian Friend" and wrote and performed in "Koli Kari," which debuted at the Toronto Fringe Festival this year. He is also developing a new play, "Monstera," and a musical, "The Accountant."</image:caption>
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      <image:title>PDU 2024 - Kosar Dakhilalian (She/Her)</image:title>
      <image:caption>Kosar is a theatre artist, director, instructor, and emerging producer. Kosar's practice is deeply rooted in prioritizing inclusivity in all stages of creation; audition, rehearsal, and final presentation. Kosar acknowledges that performing arts spaces have historically been and continues to be exclusionary towards certain voices and identities, at different times, and in different geographies, and finds it a necessary act to actively break barriers both for audience and creators. Kosar is curious to think beyond text, when a text is embodied, voiced, and resonated with audience. She is eager to learn about impact-producing models and giving the audiences opportunities to engage, move beyond being observers, and actively engage in the impact an artwork makes. Kosar has been an artist-in-residence with Suitcase in Point and has directed and assisted in directing multiple plays. She is now co-running Tapestry Theatre Collective and co-leading a devised theatre project titled Homeward.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1729627184482-V6DGRIQ1H9DMELEUGQMG/TAN%2BVU%2B-%2BTan%2BVu.jpg</image:loc>
      <image:title>PDU 2024 - Tan Vu (He/Him)</image:title>
      <image:caption>A Fulbright fellow, Tan Vu performed in theatre, musical theatre and opera in Vietnam before moving to New York to train, under a scholarship, at the American Musical &amp; Dramatic Academy (AMDA). He immigrated to Canada in November 2019 and has since worked with Aluna Theatre, Buddies In Bad Times Theatre, Cahoots Theatre, Canadian Opera Company, City Opera Vancouver, Factory Theatre, Tarragon Theatre, Talk Is Free Theatre, Toronto Operetta Theatre, Small World Music and musical ensembles across Canada. Tan Vu is also a creator of new works that weave together musical theatre and Vietnamese folk songs, folk tales and folk games. He has received several grants and awards from Toronto Arts Council, Toronto Arts Foundation, Ontario Arts Council, and Canada Council for the Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/apl-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638251776-KMP90B71OOXE5YT8P7BF/Rahaf.png</image:loc>
      <image:title>APL 2025 - Rahaf Fasheh (she/her)</image:title>
      <image:caption>is a Palestinian director, educator, and emerging producer based in Toronto. She holds a BA in Theatre and Psychology from the University of Toronto, and has trained with various companies including Nightwood Theatre, Factory Theatre, and Paprika Festival. Her artistic work is rooted in care, collaboration, and cultural advocacy. She currently serves as Associate Producer at Theatre Gargantua, and Production Manager with Hakawatieh Productions on How We Fall in Love, a Palestinian-led animated short set for release in 2026. Most recently, Rahaf assistant directed Feast at Tarragon Theatre , and After The Trojan Women in Edmonton earlier this year. As an educator, Rahaf teaches improvisation, text analysis, and devised theatre through Young People’s Theatre, Stagecoach, and the City of Mississauga. She is passionate about creating accessible, empowering spaces for young and underrepresented voices. Rahaf is excited to deepen her producing skills and expand her community impact through Generator’s Artist Producer Lab.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638251776-KMP90B71OOXE5YT8P7BF/Rahaf.png</image:loc>
      <image:title>APL 2025 - Rahaf Fasheh (she/her)</image:title>
      <image:caption>is a Palestinian director, educator, and emerging producer based in Toronto. She holds a BA in Theatre and Psychology from the University of Toronto, and has trained with various companies including Nightwood Theatre, Factory Theatre, and Paprika Festival. Her artistic work is rooted in care, collaboration, and cultural advocacy. She currently serves as Associate Producer at Theatre Gargantua, and Production Manager with Hakawatieh Productions on How We Fall in Love, a Palestinian-led animated short set for release in 2026. Most recently, Rahaf assistant directed Feast at Tarragon Theatre , and After The Trojan Women in Edmonton earlier this year. As an educator, Rahaf teaches improvisation, text analysis, and devised theatre through Young People’s Theatre, Stagecoach, and the City of Mississauga. She is passionate about creating accessible, empowering spaces for young and underrepresented voices. Rahaf is excited to deepen her producing skills and expand her community impact through Generator’s Artist Producer Lab.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638251744-DXV67XCXMD2AN42YXG2R/Kalyce+Carter.png</image:loc>
      <image:title>APL 2025 - Kaylce Carter</image:title>
      <image:caption>is a Tkaronto-born and raised producer, writer, and performance artist whose work is rooted in disability justice, grief, and collective liberation. As a Black, queer, disabled, non-binary femme, Kaylce weaves lived experience and storytelling with precise social critique to unpack the institutional, cultural, and material forces that shape our lives. As a producer, they are invested in accessibility beyond compliance, approaching it not only as a standard of inclusion but as an inherent part of the creative process that actively shapes the art itself. Their work as a multidisciplinary artist has led them to residencies with Soulpepper Theatre, B current, Driftwood Theatre Group, and Beverly Street Theatre. They currently serve as the Accessibility Coordinator at Xenia Concerts, where Kaylce champions inclusion from the ground up. Whether on stage, producing, or through their writing, their artistic practice is grounded in care, urgency, and the transformative power of storytelling.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638253092-A3TXM6O8A0402IGMLJPO/Josh+Marchesini.png</image:loc>
      <image:title>APL 2025 - Josh Marchesini</image:title>
      <image:caption>is a Salvadoran-Canadian writer and artsworker, based in Tkaronto. He is a proud alum of Our Bodies, Our Stories, an interdisciplinary creation and arts leadership program facilitated by Kama La Mackerel. His writing has appeared in venues like Articulation Magazine, articule, Vie des Arts, Centre Skol des arts actuels and Mass Culture. Josh has worked in administrative roles with Teesri Duniya Theatre, Canada's Theatre Museum, Theatre Passe Muraille, PACT, Dance Umbrella of Ontario, The Theatre Centre and currently works as a Client Success Coordinator at Imagine Canada. He holds a Graduate Certificate in Arts Administration &amp; Cultural Management from Humber College and a BA in Art History from McGill University. Josh is an emerging producer interested in work that centres Latine perspectives, transcend borders, disruption, queer joy and works with a particular focus on chisme (Spanish for “gossip”) in the art world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638253433-0AN04J69GAVK8KO7HN2Y/Shaharah+_Gaz_+Gaznabbi.png</image:loc>
      <image:title>APL 2025 - Shaharah Gaznabbi (They/Them)</image:title>
      <image:caption>lives in the realm of the interdisciplinary. A Queer-Guyanese ACTRA Actor, Playwright, Comedian, &amp; Puppeteer, they received the Ellen Ross Stuart Award earning them an Artist Residency at Tarragon Theatre in the 2024-2025 season. They were also part of Tarragon Theatre’s Young Playwrights Unit. Shaharah received The Neurodiverse Review's Birds of Paradise Emerging Talent Award at the Edinburgh Fringe Festival in 2023, where they presented their solo-show "What Can Indian Look Like? Can It Look Caribbean?". They later launched The Ontario Review for Disabled Arts (ORDA) in Toronto, and the podcast "Cheers! The ORDA Podcast" to foster conversations between Disabled Artists globally! Shaharah is a Graduate of York University’s Theatre program, receiving a BFA in Playwriting &amp; Devised Theatre, and have graduated from Second City Training Centre’s Conservatory Program. It is a privilege to be part of Generator's APL program, and they cannot wait to get started!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1751638254408-CPFNMZTRZO7Q3IPRY4U7/Ludmylla+Mar+Dos+Reis.png</image:loc>
      <image:title>APL 2025 - Ludmylla Reis</image:title>
      <image:caption>is a cultural leader, a theatre director, a filmmaker, a producer, and a curator with a BFA in acting and an MFA in directing as well as an independent career in project management and cultural studies. Currently, they are the Festival Director for The Rhubarb Festival @ Buddies in Bad Times and the Artistic Associate at Ottawa's experimental lab, Theatre 4.669.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1757789128137-5PDN5XSL6875O7NZ1IL2/Donna-Michelle.png</image:loc>
      <image:title>APL 2025 - Donna-Michelle St. Bernard</image:title>
      <image:caption>aka Belladonna the Blest is an emcee, playwright and agitator. Her main body of work is the 54ology: The First Stone, Give It Up, The Smell of Horses, Diggers, Cake, Sound of the Beast, A Man A Fish, Dark Love, Roominhouse, Salome’s Clothes and Gas Girls. She collaborated on the creation of The Only Good Indian and They Say He Fell (Pandemic Theatre), Forbidden and Oubliette (Tapestry Opera), The House You Build (Gordon Tootoosis Nekaniwin Theatre) and 501: Toronto in Transit (Theatre Passe Muraille). DM also contributes to the creative ecology as a director, dramaturge and arts administrator. She is currently an associate artist at lemonTree Creations and artistic director of New Harlem Productions.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1757789128350-53GYE2YN5WLL93YADJAU/Annie+Clarke.png</image:loc>
      <image:title>APL 2025 - Annie Clarke</image:title>
      <image:caption>(she/her) is the Managing Director at the PuSh International Performing Arts Festival. Previously, Annie worked on more than twenty productions as Producer at Toronto’s Soulpepper Theatre. She was the lead producer for Soulpepper’s new play development program and Slaight Music residency program, and led the company's Compassion Fund pilot with Theatre Direct’s Balancing Act initiative. She has also worked on a variety of independent producing projects, and holds a Bachelor of Arts from McGill University. Annie spent four deeply formative years working at Generator, including as Interim General Manager, and is delighted to be reconnecting with the organization in its current iteration. She is a third generation settler born and raised (and now once again living) in Vancouver, on the unceded territories of the Skwxwú7mesh (Squamish), Səl̓ílwətaɬ (Tsleil-Waututh), and xʷməθkwəy̓əm (Musqueam) peoples.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1757789129370-GW6I803GIZ3W07NF9NPK/Sarah+Conn.png</image:loc>
      <image:title>APL 2025 - Sarah Conn</image:title>
      <image:caption>is an interdisciplinary performance creator, producer, and curator. Her practice is centered in collaboration across disciplines, and the creation and dissemination of new performance. In her role as Artistic Producer of the National Arts Centre’s National Creation Fund, she champions the alchemy of artistic creation and dreams alongside Canadian artists across performing arts disciplines. The Fund makes transformative investments in the development of compelling and ambitious new Canadian works in theatre, dance, music and interdisciplinary performance, for presentation on national and international stages. Her work includes incubating new creation methodologies and emergent curatorial practices, and researching the relationship between artistic creation and community. As a creator, her work is porous, modular, rooted in relationship and community, and invites personal and participatory negotiations of agency and transformation. Her performance installations have toured to Ireland, Switzerland, England, the Czech Republic, Canada and more.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1757789129943-P02D2ZHL7E6UXNZI1LHE/Nikki+Shaff.png</image:loc>
      <image:title>APL 2025 - Nikki Shaffeeullah</image:title>
      <image:caption>(she/her) is a theatre &amp; film artist, facilitator, researcher, writer, producer, and equity worker. Currently the Director of Programming at Generator , her previous work has included serving as Artistic Director of The AMY Project; Editor-in-Chief of alt.theatre: cultural diversity and the stage; and Assistant Artistic Director of Jumblies Theatre. As a facilitator, Nikki supports grassroots groups, non-profits, and public institutions to uphold equity and accountability in all aspects of their work, and runs facilitation training initiatives for artists, activists, and leaders leading community-engaged work. With the National Arts Centre - English Theatre, she conceived, curated and produced Stages of Transformation, a multi-year research and creative project exploring how theatre intersects with abolition movements and transformative justice. Nikki has also taught in the performance departments of University of Toronto Scarborough and the University of Alberta, and is a Fellow of the Salzburg Forum for Cultural Innovators. She creates artistic and sector-change projects through her organization Undercurrent Creations; and is a founding member of Confluence Arts Collective, a group of artists-activists who believe in transformative justice and a world without prisons. Nikki believes that art should disrupt the status quo, centre the margins, engage with the ancient, dream of the future, and be for everyone.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1757789131072-9UX5J0O88UEXK91TD23F/Rimah.png</image:loc>
      <image:title>APL 2025 - Rimah Jabr</image:title>
      <image:caption>is a theatre director, playwright, filmmaker and Ph.D. candidate in Theatre and Performance Studies at York University. She received her MA as a theatre maker from the Erasmus Hogeschool in Brussels (RITCS) 2014. She wrote and directed several plays produced in Belgium, Canada and Palestine. Rimah grew up in Palestine, and her life in Nablus has been a significant source of inspiration for her work. Throughout her career, she has collaborated with theatre creators from diverse backgrounds, which has allowed her to infuse her work with a unique blend of influences. Her creations are known for their peculiar lightness and absurdity.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/pdu-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187243009-6BJPNO438BG09XZQ4ASN/Nada.png</image:loc>
      <image:title>PDU 2025 - Nada Abusaleh (she/her)</image:title>
      <image:caption>Nada Abusaleh is a performer, theatre-maker and arts worker. She has been performing professionally on stages since 2018 after graduating from the University of Waterloo with a minor in Theatre &amp; Performance. Nada often works collaboratively on new devised projects, and has worked with Cosmic Fishing Theatre since 2018 on producing and creating experimental performances. She is currently the Apprentice Artistic Director of MT Space.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187243009-6BJPNO438BG09XZQ4ASN/Nada.png</image:loc>
      <image:title>PDU 2025 - Nada Abusaleh (she/her)</image:title>
      <image:caption>Nada Abusaleh is a performer, theatre-maker and arts worker. She has been performing professionally on stages since 2018 after graduating from the University of Waterloo with a minor in Theatre &amp; Performance. Nada often works collaboratively on new devised projects, and has worked with Cosmic Fishing Theatre since 2018 on producing and creating experimental performances. She is currently the Apprentice Artistic Director of MT Space.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187236917-8P7GYROZL6QSW9NWL4FP/Alecks.png</image:loc>
      <image:title>PDU 2025 - Alecks Ambayec (she/her)</image:title>
      <image:caption>Alecks Ambayec is a Filipina actress and producer based in Toronto, Canada. Bringing significant film, TV, and stage experience from Manila, Philippines, she seeks opportunities to learn more about producing to establish herself in Toronto’s vibrant film landscape. Aside from acting and producing, she finds delight in scuba diving and film photography</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187236912-RQ4JGVERGR06Z7A336TS/Courage.png</image:loc>
      <image:title>PDU 2025 - Courage Bacchus</image:title>
      <image:caption>Natasha “Courage” Bacchus is a multidisciplinary artist, theatre-maker, and visual performer, as well as a three-time Deafolympican gold medalist sprinter. My artistic practice explores collaboration through theatre, signed music, body movement, and film production. She has performed in solo, duo, and ensemble works across theatre, cabaret, and television, including the 2025 Juno Awards, 21 Black Futures (2021), Rebirth of Courage at YUKA (2024), and The Rocky Horror Show (2024/25) with The Disability Collective.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187239854-OY2KOYJCNT094S1I66KP/Kaitlin.png</image:loc>
      <image:title>PDU 2025 - Kaitlin Ruth Blanchard (she/they)</image:title>
      <image:caption>Kaitlin Blanchard (she/they) is an artsworker, performer, and playwright. As a recovering academic returning to her theatrical roots, she creates and produces in order to unravel the coloniality of theatrical form. Her creative work braids tradition and its outsides, ironizing and unsettling the histories and traditions that enliven whiteness. She creates and produces under the Creative Mafia banner. When she is not tarrying with her PhD dissertation, administrating, or playing in the studio, you can find her in Tkaronto’s dog parks with her more-than-human-kin, Quinn.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187243956-1NW78VXX350SX286YP2C/Nehal.png</image:loc>
      <image:title>PDU 2025 - Nehal El-Hadi (she/her)</image:title>
      <image:caption>Nehal El-Hadi is a writer, researcher, and editor. Trained as an environmental journalist and urban planning scholar, Nehal’s work explores the relationships – with materials, technologies, objects and spaces/places – that define what it means to be human. She holds residencies at Tarragon Theatre and the Theatre Centre</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187238438-DMBGRY0UK8BDKNAHDFZ4/Elyssia+Giancola.png</image:loc>
      <image:title>PDU 2025 - Elyssia Giancola (she/her)</image:title>
      <image:caption>Elyssia Giancola (she/her) is a queer theatre maker beginning her artist-producing journey. An actor and creator, her most recent credits include co-producing, co-creating, and performing in Madame Winifred’s Circus of Wonders, which won a Patron’s Pick Award at the Toronto Fringe Festival. Elyssia also performed an original piece for Soulpepper Theatre’s Queer Youth Cabaret. Additionally, Elyssia works as an arts administrator and stage manager for several theatre companies in Toronto.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187246341-8OYZEFVBGG1XJ9V1DODC/Victorija.png</image:loc>
      <image:title>PDU 2025 - Viktorija Kovac (she/her)</image:title>
      <image:caption>Viktorija Kovac is a theatre director, dramaturg, artistic producer, and the founding artistic director of Cosmic Fishing Theatre - an experimental project-based theatre company based out of Waterloo, ON. Her artistic practice centres on new creation and directing re-imagined adaptations, that emphasize the female artistic voice, to serve intercultural and intergenerational audiences. To mark the 10-year anniversary, Cosmic Fishing Theatre became a professional presenter of a theatre and performance series for children (ages 0-8) in Waterloo Region, under the brand - DiSCoVeR.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187241497-Y5ZVJNPDPE9RHHE3IEC6/Mac.png</image:loc>
      <image:title>PDU 2025 - Mac Mccallum-Mallory (Any Pronouns)</image:title>
      <image:caption>Mac is a transgernder, interdisciplinary artist and performer working in theatre and dance. He is a playwright, burlesque/strip/nightlife performer, puppeteer and costume maker. He is the producer of the bi-monthly event Trans Strip Night, produces his own work, and is trying to curate more community engaged work like zines and events for trans people. Recent credits: The Garage 2025 (upcoming), Night of Dread and Summer Company Apprentice with Clay and Paper Theatre, and developing his newest play Giselle and The Dog. In his work, Mac is interested in exploring and documenting his own experiences as a trans man, the body, kink/fetish, and finding the absurd in everything.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187242621-2SN82ALXZRYN0YAH9YC1/Mina.png</image:loc>
      <image:title>PDU 2025 - Mina Shanmuaglingam (they/them)</image:title>
      <image:caption>Mina Shanmuaglingam (they/them) is a Tamil multidisciplinary artist, born and raised in Tkaronto with roots in Yazhpanam. Mina is best known for their burlesque persona, Optimal Tease. Mina’s art reimagines stories from their conservative Hindu upbringing, highlighting perspectives that have been silenced by dominant narratives. As a producer, Mina aims to curate shows that bring underrepresented QTBIPOC perspectives to the forefront. You can keep up with Mina’s work on IG @optimaltease.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764713467994-5RH7DA61C6TAIPRP0ZMC/K.png</image:loc>
      <image:title>PDU 2025 - K Powe (they/them)</image:title>
      <image:caption>K is a community organizer and emerging producer, writer, performer based in Toronto’s west end. Equipped with a BFA in theatre production and a masters in public administration, they have lived many lives, taking them from grassroots to global scales. Now, K is making their return to performance art and storytelling, applying everything they’ve learned to produce new, challenging projects that help us cope with the poly-crises of our time, to connect, and imagine a better world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187245207-LV07P25RKK3LVIVC7G4N/Seely.png</image:loc>
      <image:title>PDU 2025 - seeley quest (sie/hir)</image:title>
      <image:caption>seeley quest, a trans disabled environmentalist, arts and equity educator in Canada since 2017, presented in San Francisco’s Bay Area 2001-14, with Sins Invalid 2007-2015, Hir script in progress, “Modeling” has had readings online including with Montreal’s 2021 Wildside Festival and Vancouver’s 2022 rEvolver Festival, and onsite with Eastern Front Theatre’s 2023 Early Stages Festival. Sie’s organized over five dozen performing arts and film showcase events, and over three dozen arts ed workshop sessions. https://questletters.net</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187239965-I5KCQPD24OMU07QMW5BD/Lamesha.png</image:loc>
      <image:title>PDU 2025 - Lamesha Ruddock (she/her)</image:title>
      <image:caption>Lamesha Ruddock is a cultural producer, performance artist, and historian specialising in 20th-century Black British feminist history. Based between the UK and Canada, Lamesha has held roles with Hamilton (West End), the Royal Court Theatre, and as Co-Executive Director of Boundless Theatre. She has produced with Luminato Festival, Pleasance Theatre, Shadowland Theatre, Theatre Royal Stratford East and programmed at BAND Gallery and is currently an Access Support Worker for Arts Council England. A Fellow of the Royal Historical Society, Chair of Paprika Festival and V.P. Membership at Alumnae Theatre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187241319-P7XBPCTFN3W3RLMKLC89/Lee.png</image:loc>
      <image:title>PDU 2025 - Lee Stone (they/them)</image:title>
      <image:caption>Lee Stone (they/them) is a director, producer, and educator. In 2022 Lee was awarded the Toronto Arts Council, Newcomer and Refugee Artist Mentorship Grant for the purpose of founding Dead Name Theatre, which uplifts and centres the voices, experiences and talents of trans, non-binary, and queer creatives in Toronto. Learn more at leestone.weebly.com and deadnametheatre.weebly.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1764187244261-0E6WSXQCLB3PTG1O4OML/Nuha.png</image:loc>
      <image:title>PDU 2025 - Nuha Yousuf (she/her)</image:title>
      <image:caption>Nuha Yousuf is a multidisciplinary artist with a background in free improvisation and new music, pursuing a Master of Music in Collaboration, Curation, and Creative Performance at Laurier. Highlights include performing her NUMUS 2025 winning curation, Of Mothers and Daughters, Assistant Directing Tapestry Opera’s Briefs, sound designing and performing live music for Before I Die (Mada Theatre, MT Space’s Works in Progress Festival), and partnering with Conservation Halton to create a site-specific multi-instrumental piece at Crawford Lake.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/about-archive</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/b0b0abf2-d220-4628-b2e1-3a77bb262214/_DJC8706+%281%29.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Members of the 2024 cohort of the Artist-Producer Lab and facilitators. Top - Charlie P, Ashley T, Jules V. , isi b. (front) Taran B., Nikki S. at the inaugural Spark Night June 2024 at the Theatre Centre following the Under Currents Producing Spectrum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1850d3b6-b7f1-4839-a14b-41748dabe9eb/PHOTO-2024-03-27-16-09-42.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Currently Staff Bianca Guimarães de Manuel and Patricia Allison co-working at the Generator Office.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/0adcb3c1-079a-4d08-807b-48247975cee7/_DJC8584+%281%29.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>APT Alum Kass P. and Matt E. at the inaugral Spark Night event in June 2024</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/9292befb-7f8b-4484-9386-146859c20dda/bstreet.png</image:loc>
      <image:title>Contact</image:title>
      <image:caption>NEW Office space at BStreet Collaborative</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/resident-companies-company-collaborators</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/40a130ca-3dcc-4b6b-badc-dd7f37b3909a/Richard+Three+-+Image+3+copy.jpeg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Richard Three produced by company collaborator Shakespeare in the Ruff; 2023 Alexia Vassos, Alex Bulmer, and Christine Horne</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554905743273-LB8W54XI2EUE5WUAS8CY/Resident%2BCompanies.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Yolanda Bonnell and Cole Alvis of manidoons collective (former resident company)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1573506498076-HGK3QZWTEZ3FV0UXRVUA/2019%252B02%252BArm%252BYourself%252BWorkshop%252BKLX%252Band%252BJordan.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Kristina Lemieux with Jordan Campbell of xLq (former resident company)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/a6abdbaa-0b6b-44d0-be30-1e2a3ab56ae9/TOlove-in.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Toronto Dance Community Love-in</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/c0231faa-14e0-4b9a-998e-ea0118ab4e78/manidoonsLogo18.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Manidoons Collective</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1547654030692-9K8WZWNCXLNDIISCU7VE/The+AMY+Project</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>The AMY Project</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1521745529115-T5GI77FC0MTFK6J5J9H8/Logo-oct24-681x194.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>SpiderWebShow</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1532361544807-KMN600HSFX82OYNE4JCT/Fixt+Point+Logo.PNG</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>FIXT Point</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1547653435088-YAC1LJ5QKCE9ONPESOSN/Common+Boots</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Common Boots</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/d76e336c-e383-437d-a863-7b15108410f9/PAPRIKA%2BLOGO%2B-%2Bpink.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Paprika Theatre Festival</image:caption>
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      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>adelheid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1534952685371-9UG7C6RSDDPUZGVC7H3C/House%2BBody%2BLOGO.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>House + Body</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1604337897485-IGC7CSU3I20T2QMD3YDY/paradigm_logo_black_trans+%281%29.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1432751046656-VZA64O9RT9347VB3IXO5/image-asset.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Litmus Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1471450115113-X7MCBQFAOW0SFLA0M1FE/image-asset.jpeg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Unspun Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1676658542403-KVLIOQKEG54ZQS052Q02/Jamii-Original-Black.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/984c20e3-d362-4070-937e-bfd95cd0a01e/xLq%2Blogo.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>xLq Pop Art Performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/aee43769-bdf7-42b5-a340-d24bba54f693/animacy%2Blogo.png</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Animacy Theatre Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/b6d75621-964d-45c7-8aaf-5c65fd779f95/mix%2Bmix.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies - Make it stand out</image:title>
      <image:caption>Mix Mix Dance Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1547653923308-YZJT19DJ2M7HP1WGU06H/2%2B%281%29.jpg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Rhiannon Collett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1471450088751-6N6YFBBHXEVNMUGCVV38/image-asset.jpeg</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Ahuri Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1532361586306-ZJF0JHAXGY6YIXA45VRW/OTM+logo.PNG</image:loc>
      <image:title>Company Collaborators &amp; Resident Companies</image:title>
      <image:caption>Outside the March</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://generatorto.com/workshops</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1568392190272-FVIU67L5RV1IO3TM8812/Squarespace+101-400x600.png</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Squarespace 101 - with Yulia Kovaleva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1568392111754-Y2HF0ED71220L2HLBQ2T/Wordpress+101-400x600.png</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Wordpress 101 - with Yulia Kovaleva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1513105684391-NGXRVZB3MF1MG4T3OKAR/Crowdfunding+Workshop+LOGO.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Thinking Creatively when Crowdfunding - with Katie Leamen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1506631256551-IO1105GP8TR6ALIT2DV7/Peer-Review-Icon.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Peer Review - with Kristina Lemieux</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1510087040566-HJYSXAUW2XUK85H3BDYY/Answering+the+Why.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Answering the Why: An Unusual Writing Workshop - with Kristina Lemieux</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1510087138286-ZM3NYZMF1PS6NYF1VHW2/Publicity+101+workshop+icon.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Publicity 101 - with Katie Leamen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1506631179631-BC3FY5BCMLA4K8C7HODV/Excel+basics+for+producers+icon.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Excel Basics for Producers - with Kristina Lemieux</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1506631075751-BPX8T6AX4WB69AAF8A1O/Word+%26+PowerPoint+Icon.jpg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Word and PowerPoint for Arts Workers - with Kristina Lemieux</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1486067070136-SOSZ6L9KAYDED3ZQ6OAU/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Producing a show from your own bank account - with Tova Epp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1433262109569-O3QJY7ZG258KLFGQGLNF/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Squarespace for Artists – with Outside the March and SpiderWebShow</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1471541459431-K2HT4BMBGQDC6GLYOPZ0/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Information Management - with Katie Leamen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1433262151237-SXTJWYA1SM8I0JMG4IZC/image-asset.png</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Open Source Brainstorm on the future of STAF held @ The Theatre Centre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1460496454010-DRB8KFWC2SH3HN7ES20U/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>SmART Living for Artists - with Artists' Health Alliance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1433262213377-7EOKC5H5FBTXIF5R4TUC/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>smART money: Personal Finance for Arts Workers - with Natasha Mytnowych</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1433261973498-2B0QMUWFUSWMF0D6K4YJ/image-asset.jpeg</image:loc>
      <image:title>Workshops</image:title>
      <image:caption>Artist as Entrepreneur Bootcamp – with Theatre Ontario</image:caption>
    </image:image>
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  <url>
    <loc>http://generatorto.com/summerlearning</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1533154550975-E5IA1HO2SIHECDN8Z9X8/Untitled+design+%284%29.png</image:loc>
      <image:title>Summer Learning</image:title>
      <image:caption>Post Pecha Kucha group shot at SummerWorks 2016. Photo by Dahlia Katz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1562162395044-U2XNS73HPXP1X6W1GKL1/keshia-tsholo.png</image:loc>
      <image:title>Summer Learning</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561457793978-FUEDWHQ8V4OERIPA2IV0/miguel+porlan+-+new+york+times.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1562162418162-60BI40KGJG1VCRNVRN54/APR+deanna+and+alley.png</image:loc>
      <image:title>Summer Learning</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561458094564-361A8UF8XTXVI0L0SYVG/CreatingSignLanguageMagic-800px.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561458138543-INK1VQDNNU3GHAZN9K6E/SmallTimeSpace+copy.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561458451216-O3MJDIMJTTOCCWKMQ6RA/SummerWorksExchangeDay3+800px.jpg</image:loc>
      <image:title>Summer Learning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561458510216-AD379FRCC60Z4J75ZYGS/openhours.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561456971279-6G9M1GOP6U0R006P3J0S/3_SWhenrychan.jpg</image:loc>
      <image:title>Summer Learning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561457038081-BRU44HAERWBK0WXKDAN4/2_SWhenrychan.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1561457022576-XA0B3LW9ZFIDPHXZDEB9/4_SWhenrychan.jpg</image:loc>
      <image:title>Summer Learning</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1433350362671-BGP19UZDMQC7CF6B2BIS/http%3A%2F%2Fsummerworks.ca%2F</image:loc>
      <image:title>Summer Learning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1508438078041-RKWIZ0O5JNRLSXIAVJJE/36313561231_3814b4d8be_o.jpg</image:loc>
      <image:title>Summer Learning</image:title>
      <image:caption>Photo by Dahlia Katz from our (RE)conciliation: a workshop on integrating Indigeneity and decolonizing performance practice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1471455124674-BFDWXCM9S8W2IZOWULU5/image-asset.jpeg</image:loc>
      <image:title>Summer Learning</image:title>
      <image:caption>Photo by Dahlia Katz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1471455271975-O6GXH11VF2HJ7W3QEHJ9/image-asset.jpeg</image:loc>
      <image:title>Summer Learning</image:title>
      <image:caption>Photo by Dahlia Katz</image:caption>
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  </url>
  <url>
    <loc>http://generatorto.com/artistproducer-lab</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1593182195574-Q0VNU5N2C2AHM17QAHE2/Smile%2BSelects%2BPromo-5.jpg</image:loc>
      <image:title>APL</image:title>
      <image:caption>The 2016/17 APT cohort. Top row: Chiamaka G. Ugwu, Christopher Manousous, Mamito Kukwikila, Michelle Langille, Ruthie Luff, Emma Westray, Kristina Lemieux (Lead Producer); bottom: Ishai Buchbinder, Maddie Bautista, Katie Leamen (Facilitator), Brian Postalian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1593181932618-Q5O0CFTANQ372W3MG9LO/APT1819april3.jpeg</image:loc>
      <image:title>APL</image:title>
      <image:caption>The 2018/19 APT cohort in a ‘Producing the Experience’ class led by graduate Christopher Manousous (centre). Left to right: Kitoko, Teiya Kasahara, Tsholo Khalema, Sedina Fiati (Facilitator), Jordan Campbell, Mikaela Demers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1586812451438-PIMAFTPVABMC8S95XWNW/2019-06-16%2BHarolds%2BGenertor%2BGenerations%2Bwho%2Bhave%2BHarolds.jpg</image:loc>
      <image:title>APL</image:title>
      <image:caption>Generator APT folk past and present are also Harold Award folk past and present! Left to right: Ryan G. Hinds (2017/18), Kevin Matthew Wong (2015/16), Andrea Scott (2015/16), Scott Emerson Moyle (2017/18), Aaron Jan (2019/20).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161669944-OAX8ZYXB0SOI39JCSDPE/Ashley.png</image:loc>
      <image:title>APL - Ashley T. (she/her)</image:title>
      <image:caption>As a young, Black Biracial, Bisexual Woman with Bipolar Disorder, Ashley T. has coined herself as “The BiFecta”. She is a self-taught, award-winning, multidisciplinary disabled artist, storyteller, and maker who creates imaginative projects that bridge the realms of the abstract visual, literary, and performance disciplines. Inspired by her intersectional identities, Ashley prides herself on immersing her art with political insight, profound emotion, and abstract symbolism. At its core, her art celebrates Black female empowerment, Queer pride, and enriched mental health. She uses her art to ground and remind herself of the power she possesses to be a positive change in this world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161669944-1H7HEEPJKEULRLY1NFGU/Azeem.png</image:loc>
      <image:title>APL - Azeem Nathoo</image:title>
      <image:caption>Since graduating from LAMDA in 2001, Azeem continues to perform on both stage and screen, having earned multiple nominations while also being a recipient of a Tyrone Guthrie Award at the Stratford Festival. In 2017 he became one of nine co-producers of Tragedie of Lear at the Palmerston Library in Toronto and the following year served as Soheil Parsa’s mentee and Assistant Director in Bloom (Buddies in Bad Times). During the pandemic he co-founded his own theatre company called Phoenix Arts to provide Free Audition Clinics to artists in need before producing his first play 1184 which premiered in Spring 2022 at Theatre Passe Muraille where he is now also a Board Member. These past two years Azeem has co-directed Shakespeare for George Brown College’s first- year performance students and this summer he will be leading free artist workshops for newcomers and refugees in partnership with Modern Times Stage Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161670683-WY2MNNI26QNVBHSTVLGH/Charlie.png</image:loc>
      <image:title>APL - Charlie Petch (they/he)</image:title>
      <image:caption>Charlie Petch (they/he) is a disabled &amp; transmasculine multidisciplinary artist. Their poetry collection/Audible book, Why I Was Late (Brick Books), won the 2022 ReLit Award, and was named "Best of 2021" by The Walrus. Petch received a Lifetime Achievement Award for Spoken Word from the League of Canadian Poets. Petch’s solo show “No One’s Special at the Hot Dog Cart” premiered in 2024 with Theatre Passe Muraille.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161670815-CLS550R0YODD1FMUOZKW/Isi.png</image:loc>
      <image:title>APL - isi bhakhomen (they/them)</image:title>
      <image:caption>isi bhakhomen (they/them) is a storyteller of Afro-Peruvian and Nigerian descent. Their work as an artist spans many different mediums. Through stories they aim to build worlds that give black folks the freedom to breathe, to laugh and to heal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161671701-TPXF3PX6NTT7H44Q872N/Jules.png</image:loc>
      <image:title>APL - Jules Vodarek Hunter (they/them)</image:title>
      <image:caption>Jules Vodarek Hunter (they/them) is of Slavic and Scottish ancestry and a settler living in Tkarón:to. Jules is an organizer, facilitator, stage and production manager. They are the co-creator of Fat Fables, a program for Queer &amp; Fat folks to gather together to make art and tell their stories. They have worked in various roles across the non-profit arts sector, including at The Toronto Fringe, Workman Arts, Summerworks Festival and The AMY Project. Currently, they are excited to be co-leading The AMY project with Morgan. Jules is dedicated to bringing care, compassion and empathy into theatre and creative spaces. Jules advocates for mental health justice, fat liberation and creating spaces for shared experiences and support. They are currently in their second year of training at the Centre for Training in Psychotherapy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1717161671794-0DKVISJA0KA0DJFMECHM/Morgan.png</image:loc>
      <image:title>APL - Morgan Davis</image:title>
      <image:caption>Morgan is a Black, Fat, Queer, trans masculine-of-center artist, peer supporter, and facilitator. Morgan has worked at Supporting Our Youth (SOY) as a community program worker for over three years. They’re passionate about the power of storytelling and being their drag persona Chocolate Baby Daddy. You may have seen them performing in Pride TO, Buddies In Bad Times, and Blockorama. They are the co-creator of Fat Fables an art creation program for Fat 2SLGBTQ youth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1686264773247-TIHVT1QQEEIMESNAG4AV/1.png</image:loc>
      <image:title>APL - Danny Sylvan (He/Him)</image:title>
      <image:caption>EMBEDDED IN THE TORONTO FRINGE Danny Sylvan is a theatre producer, director, actor and playwright. Danny studied Theatre and Performance at York University, with a specific study of playwriting and new play dramaturgy. Aside from directing independent projects written by himself, Danny Assistant Directed The 25th Annual Putnam County Spelling Bee at Vanier College Productions, and this January, he Directed their production of The Labyrinth of Desire. Danny has a passion to expand his artistry by producing and directing works that explore the voices of ‘the other’ in common everyday situations. The opportunity to collaborate with the 35th Toronto Fringe Festival is truly a treat.</image:caption>
    </image:image>
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      <image:title>APL - Kass Pruss (They/Them)</image:title>
      <image:caption>EMBEDDED IN DANCEMAKERS Kass Prus (they/them) is a non-binary trans, queer, autistic, and disabled holistic health counsellor, yoga therapist, and performing artist. As a 2nd generation Ukrainian-Canadian settler growing up Tkaronto (Toronto, ON), Kass was immersed in ancestral traditions, dance, music, and art. After coming out, Kassandra left their diaspora communities and immersed in the breadth of practices of the yoga therapy lineage of TKV Desikachar. Currently, Kass is reclaiming their bone-deep love of Ukrainian traditions and Slavic mythology; processing the ableism and transphobia that they faced as an artist, arts educator, and yoga teacher; and exploring if their post-modern art background may provide the arena for all their intersectionalities to integrate.</image:caption>
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      <image:title>APL - Shivani Joshi (She/Her)</image:title>
      <image:caption>EMBEDDED IN SHAKESPEARE IN THE RUFF Shivani Joshi has been trained as a Bharatnatyam dancer for over 20 years. She completed her Arangetram with Avni Vyas at Shivanjali Dance Academy and graduated with a Master's in Performance Studies from NYU Tisch School of the Arts in 2021. Her dissertation focused on communities of women creating cultural spaces, colonialism in India, and how it affected Bharatnatyam as a whole. Shivani advocates for the importance of folk arts, such as garba, and teaches various folk dances and prop work that is prominent in Indian culture. Most recently, she created Shiva/Shakti – Eternal Lovers, a film for Guelph Dance SDS, and performed Tangled Threads at the AGH. Currently, she works as an artist/writer/producer, combining media and narrative to explore stories to tell modern stories, and playing with metaphor in physical form.</image:caption>
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      <image:title>APL - Jahnelle Jones (She/Her)</image:title>
      <image:caption>EMBEDDED IN SUMMERWORKS Jahnelle Jones (she/her) is a Black queer Toronto based writer, actor, director, and producer. She’s been in the Toronto theatre community since 2014 and is one of the founders of Rookies with Friends, an emerging artist theatre collective. Jahnelle now creates and writes for tv and film. She’s written two short films as a part of Human Body Expressions series - ‘What Happened to Lee?’ and she will soon be going into production directing her first short film Fourteen. Jahnelle co-founded Second Adolescence Productions with Kat Khan and they are currently writing a feature film titled Fan Club that has had the support of the IPF, CMF, and Canada Council for the Arts.</image:caption>
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      <image:title>APL - Sabrina A. Bandali (she/her), 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Sehar Bhojani, 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Rose Hopkins, 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Taliesin McEnaney (she/her), 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Andrea Scott (she/her), 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Kevin Matthew Wong (he/him), 2016</image:title>
      <image:caption>APT Grad 2016</image:caption>
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      <image:title>APL - Maddie Bautista (she/her), 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Ishai Buchbinder (he/him), 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Mamito Kukwikila, 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Michelle Langille, 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Ruthie Luff (she/her), 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Christopher Manousos, 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Brian Postalian, 2017</image:title>
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      <image:title>APL - Chiamaka G. Ugwu (she/her), 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Emma Westray (she/her), 2017</image:title>
      <image:caption>APT Grad 2017</image:caption>
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      <image:title>APL - Susanna Fournier, 2018</image:title>
      <image:caption>Susanna Fournier is an award-winning Canadian theatre-maker and the artistic producer of PARADIGM productions.  She works in various performance mediums, primarily constructing new texts for theatre. Her work is feminist, expressionist, large-scale, and anti-imperial. Her writing interrogates socio-economic-gender power relations and their perversions. She’s interested in (im)possible art for an (im)possible world. In 2018/19, PARADIGM will produce Susanna’s trilogy of performance texts, The Empire, in Toronto. The Empire abstracts over 300 years of modern history, tracing the ramifications of Imperialism as it pervades into every aspect of life from global empire building to the colonization of the body and psyche. PARADIGM produced Susanna’s debut play, Stencilboy and Other Portraits in 2014 and her short play, ALL THE WAYS YOU SCARE ME at Rhubarb in 2015, as well as a series of in-studio workshops dedicated to non-traditional dramaturgies in the development of new Canadian performance texts.  Susanna’s latest project, take rimbaud, a post-dramatic adaptation of Arthur Rimbaud’s iconic poem, A Season in Hell, was recently in residency with The Howland Company at Canadian Stage. She’s also a core collaborator on LULU: aspects of a femme fatale, a series of large-scale deconstructions of Frank Wedekind's Pandora’s Box culminating in the 2018 production at Buddies in Bad Times Theatre directed by Ted Witzel. Susanna was a 2016 finalist for the KM Hunter Award for theatre artist of the year.  www.susannafournier.com</image:caption>
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      <image:title>APL - Sabah Haque (she/her), 2018</image:title>
      <image:caption>Sabah Haque (সাবা হক, صباح حق) is a theatre creator, arts administrator and artist producer born and based in Toronto. She has created and produced work with Soulpepper, Paprika Festival and York University, where she graduated with a degree in devised theatre and playwriting. She has worked in various capacities with Soulpepper, Paprika Festival, Outside the March, Little Black Afro, Buddies in Bad Times and Musical Stage Company. Sabah was awarded a Theatre Creators' Reserve grant by Cahoots Theatre Projects for her multidisciplinary play Relentless. She is a first generation Canadian from Bangladesh, and has lived in several cities including, Montreal, Dhaka, Chittagong and Dubai. Sabah aims to connect diverse stories to the world by producing work about migration and intersectionality through a decolonized, collaborative arts practice.</image:caption>
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      <image:title>APL - Ryan G. Hinds, 2018</image:title>
      <image:caption>Ryan G. Hinds is a critically acclaimed theatre artist. Currently an Associate Artist at lemonTree Creations, he recently completed a two-year Residency at Buddies in Bad Times Theatre; as a creator/performer, Ryan is interested in equitable &amp; diverse creative environments and unique stories. Theatre work includes Post-Paradise at New Museum in New York City, the 2015 Fringe hit Starry Notions (“Best of Fringe” from Torontoist &amp; Mooney, Outstanding Performance from NOW Magazine), MacArthur Park Suite: A Disco Ballet at Summerworks, and the dance-theatre hybrid MSM: Men Seeking Men. His solo show #KanderAndEbb won a 2016 BroadwayWorld Award in Toronto and toured to Montreal, New York City, Orlando, and Halifax to critical and audience acclaim. Audiences have enjoyed him as Booker T. Washington in Ragtime opposite Mark Cassius, as Ken Gass in The Trial of Ken Gass and in Sky Gilbert’s Dora-nominated play The Bewitching of Max Gunther at Theatre Passe Muraille. One of only a few people to have been in both the movie version (as a hed-head) and a stage production (as Hedwig) of Hedwig &amp; The Angry Inch, he is proud to have been the first black actor to play the title role. Ryan has performed with Liza Minnelli, Todrick Hall, Debbie Reynolds, Billy Stritch, and many more, and has received the prestigious $10,000 Steinert &amp; Ferreiro Award from Community One Foundation, EGALE Canada’s 2010 Black History Month honour, and an Arts &amp; Culture recognition from the City of Toronto and Mayor Barbara Hall. He is a previous Mississauga Citizen of the Year.</image:caption>
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      <image:title>APL - Scott Emerson Moyle (he/him), 2018</image:title>
      <image:caption>Scott Emerson Moyle is a Toronto-based director, producer, actor, and maker of masks and puppets and things. He has been creating site-specific immersive Shakespeare since 2009 with his company Dauntless City Theatre (formerly called Urban Bard). He also teaches internationally under the banner of Riotous Youth Shakespeare. He thinks the classics are the perfect blank slate for progressive and radically inclusive work! Upcoming projects include directing The Two Gentlewomen of Verona for Dauntless City Theatre in Berczy Park, participating in the collective creation of a reimagining of Arthur Schnitzler's Reigen, and continuing training as an intimacy choreographer with Intimacy Directors International.</image:caption>
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      <image:title>APL - Rehaset (she/her), 2018</image:title>
      <image:caption>A Saudi-born, Ethiopian independent musical artist, working primarily as a composer and singer; latest journey involves developing Buna!, an Ethiopian musical with support from b current’s bcHub training program for emerging theatre makers. Her work in theatre has included performance, wise.woman (b current); sound design, All of Him (SummerWorks &amp; FemFest) and Radiance (b current); musical direction, The Art of Storytelling (Creative Mafia); performance, How I Learned to Serve Tea (The RISER Project); and parade/performer/sound designer, diaspora Dub (b current). She recently worked with Patrick Reed and Andréa Schmidt in a short film titled Notwithstanding (What Escapes Production), that was commissioned by Hot Docs as part of the compilation In the Name of All Canadians.</image:caption>
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      <image:title>APL - Matt Slaman, 2018</image:title>
      <image:caption>2018 APT Graduate</image:caption>
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      <image:title>APL - Jordan Campbell, 2019</image:title>
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      <image:title>APL - Karthy Chin, 2019</image:title>
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      <image:title>APL - Mikaela Demers (she/her), 2019</image:title>
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      <image:title>APL - Teiya Kasahara (they/them), 2019</image:title>
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      <image:title>APL - Kitoko (they/them), 2019</image:title>
      <image:caption>2019 APT Graduate</image:caption>
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      <image:title>APL - Tsholo Khalema, 2019</image:title>
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      <image:title>APL - Rinchen Dolma (she/her), 2020</image:title>
      <image:caption>Rinchen Dolma རིན་ཆེན་སྒྲོལ་མ་ is a multi-disciplinary artist that explores storytelling through visual installations, theatre and movement. She was born in Kathmandu, Nepal and is currently based in Tkaronto. She is the founder and Artistic Director of MADE IN EXILE, an arts-based initiative that engages young Tibetan creatives in exploring their complex identities through different mediums of storytelling. Rinchen's practice is rooted in collaborative storytelling and sharing to give an authentic voice to stories untold, stories that are not given the agency to speak on its origins, stories that live in exile.</image:caption>
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      <image:title>APL - Aaron Jan (he/him), 2020</image:title>
      <image:caption>Aaron Jan is a Hamilton-born playwright, director and dramaturg. Recently, Aaron was one of the inaugural participants in Factory Theatre's Foremen directing program and was a member of their Natural Resources playwriting unit from 2016-2018. Since graduating York University's Theatre Studies Program in 2015, Aaron has created professionally with Fu-GEN, Cahoots, Next Stage, Soulpepper, the Assembly Theatre, Little Black Afro, Then They Fight, Tarragon, Canadian Stage, Theatre Aquarius, and Native Earth Performing Arts. Aaron is a member of the critically acclaimed, Silk Bath Collective, whose work, Yellow Rabbit enjoyed a sold out run in Soulpepper's 2018-2019 season.</image:caption>
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      <image:title>APL - Jay Northcott (they/them), 2020</image:title>
      <image:caption>Jay Northcott is a multidisciplinary artist, director, playwright, burlesque dancer and producer. Jay graduated from the BFA Performance program at the University of Lethbridge. This year Jay will be working on Pass Over by Antoinette Nwandu produced by Obsidian and Buddies and Bad Times Theatre. Make sure to check out their Toronto directing debut of Blacktop Sky By Christina Anderson in March 2020 at Crow’s Theatre as part of Obsidian’s Darktown Initiative. Ever since Jay was a child they always wanted to change the world. Jay didn’t develop any world-saving superhuman abilities, so they make art! Jay is so dang excited to be working with Generator this year! Let this journey be a prosperous one. Find Jay on social media: @nervousshipwreck</image:caption>
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      <image:title>APL - Laura Philipps (she/her), 2020</image:title>
      <image:caption>Laura Philipps is a theatre-maker in Toronto with a focus on supporting female artists and multidisciplinary works. Starting as a performer, Laura transitioned to producing after graduating from Etobicoke School of the Arts and has since been developing a career in theatre production. She recently showcased her writing at Dark Day Monday in January 2019. Laura holds a B.A. from University of Toronto where she received the Gordon Cressy Student Leadership and Student Engagement for the Arts awards. She completed the Crow’s Theatre Artist Cross Training Program in stage management and producing, 2017-2018. She is an organizing member of The Bellows, a community for supporting and connecting independent theatre practitioners. Past leadership roles include: Interim Head Technician, Theatre Passe Muraille Backspace, 2019; Co-Chair, Theatre Ontario Youth Advisory Committee, 2018; Artistic Producer, UC Follies Theatre Company, 2014-2015. Production highlights include: Interrupted, Lighting Designer, 2019; No Woman’s Land, Producer, 2019; splitbill, Stage Manager &amp; Technical Director, 2019; The Forest for the Trees, Production Manager, 2018.</image:caption>
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      <image:title>APL - Maricris Rivera (she/her), 2020</image:title>
      <image:caption>Maricris Rivera is a Filipina-Canadian musician, dancer, actor, creator, stage manager, and educator. She is a currently a member of the Tita Collective, a group of Filipina multidisciplinary artists based in Toronto that aims to create work that engages and entertains community. The Tita Collective is producing Tita Jokes at the 2019 Toronto Fringe Festival. She is also the co-producer of Short Dances alongside Alvin Collantes. Independently, she has collaborated with many esteemed dance companies, including Gadfly, Rock Bottom Movement, TOES FOR DANCE and stage managed three runs of Eve of St. George, Toronto’s first large-scale immersive dance theatre production. She also regularly plays with her pop-funk-rock band, Understudy. She is a graduate of Ryerson University’s Arts and Contemporary Studies program, with a major in Culture Studies and a double minor in Marketing and English.</image:caption>
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      <image:title>APL - Makram Ayache (he/him), 2021</image:title>
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      <image:title>APL - Avery- Jean Brennan (they/them), 2021</image:title>
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      <image:title>APL - brawk hessel (s/[t]he[y]/it), 2021</image:title>
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      <image:title>APL - Rochelle Ellar (she/they), 2021</image:title>
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      <image:title>APL - Olivia Shortt (they/them), 2021</image:title>
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      <image:title>APL</image:title>
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  <url>
    <loc>http://generatorto.com/urgent-exchange</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1483636834489-KE3AH3OVY76X832TZIEQ/image-asset.png</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554908632964-2R92UHWEB39W9TNY3I9J/The%2BPhilosopher%2527s%2BWife</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554908773867-0LAS1EGQO8RKG9Y6NN50/UEklxsusannaalison.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554908920550-ZI8S6850JEMAA16KWK9Y/UEwhatareyourquestions.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1544279758559-QOYZ7JWLWAVONI46WUAY/Meghan+Speakman+headshot.JPG</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Meghan Speakman: Stage Managing with #MeToo</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1544279784998-5XRF4VNNIMFQCVHA57EN/Matthew+Eldridge.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Matthew Eldridge: Intimacy and Touch from the Perspective of Health Practice</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1544279800756-Y7AOXLE2TI0JX8FCBX1V/Andrea+Zanin.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Andrea Zanin: Consent and Power: Lessons from Kink</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1544279623475-QGOBXM7A59NADSNKOTT9/Stop+Abuse+%26+Exploitation</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909053263-9C4IV9UNXPW4GWN8UB88/IMG_5397+%281%29.JPG</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909118473-9MXL36FAGOV1ADV39OE5/IMG_5462.JPG</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1513188126169-SNSHUK3PA7L8HC3MA2TV/Screenshot+%2811%29.png</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002664724-OQ83B2TZFTQDMGYG7TZ1/image-asset.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Donna-Michelle St. Bernard</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002632226-6ZIY1EOEQ8JTNRQFUCYA/Jiv+Headshot.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Jivesh Parasram</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002603218-JWRMP9D337Z4GYGN79L1/Maranda.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Michael Maranda</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909420165-ESJ3BOM4GUXRNP9JGWV7/nikkiheadshotlores.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Container-Building: Facilitating Accountable Creative Spaces Nikki Shaffeeullah Producers, directors, arts managers, and others: we design the safety of the creative spaces we inhabit - either by intention or by omission. Most often, 'Monsters' cause harm (sexual violence and otherwise) because their surroundings allow them too. Nikki Shaffeeullah, Artistic Director of The AMY Project, speaks about structures that inhibit safety in our industry, and about purposeful practices that artistic leaders can employ to shift their work spaces into ones that enable greater safety, accessibility, accountability, and creativity.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002097437-ODS9O61ZI6AODSERK5VX/Brook1crop.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>How to learn better ways of relating before the big damage happens Brook Thorndycraft How can we take a preventative approach to the issue of sexual harassment, bullying and assault in the arts and theatre community? To build equitable and inclusive workplaces and communities, it’s essential for all of us to develop our capacity to accept feedback that helps us learn from and shift our attitudes and behaviours before they lead us to a crisis. Led by Brook Thorndycraft, a mediator, coach and facilitator working in the field of conflict transformation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002737170-761VPDOWYEZCIW7H75BP/EricaAnderson.Jonno-photobyDahliaKatz.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Violence in Theatre: Staging Triggering Material The JONNO team As artists, we want to shine a light on challenging issues. But where do we draw the line between being empowering and exploitative? We understand that there is value in discomfort, but how do we avoid harming our audiences? Producer Mirka Loiselle, director Paul Van Dyck, and actor Erica Anderson reflect on these questions while discussing their experience with JONNO, a show at the Next Stage Theatre Festival that aggressively tackles the issue of sexual assault.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002042762-T8Z9UT04OY7E0TODOI7S/image-asset.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Sharing the power, sharing the freedom. Thalia Kane In the midst of our current climate and the cultural shift occurring, what is our responsibility? What can we do? In the entertainment industry, unions and associations are stepping up. Ecuadorian-Canadian artist Thalia Kane speaks about ‘Not In OUR Space’, a new initiative from Equity. The time for change is now and it is the responsibility of everyone.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515195853952-7HZC6Y5ZGISALP0QWU13/IMG_8726-2.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Bystander Intervention Sedina Fiati One person in one moment with one action can make a difference. Maybe you didn’t act in the past when you wanted to. Forgive yourself. It’s time for a new paradigm. Time to learn the skills to go from bystander to professional intervener. Take a breath. Asses the situation and act. We need you and we need each other.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002233740-YXMVY9L15O49E73TUUAF/Pippa+Feinstein+bio_profile+pic.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Conflict resolution processes and strategies for healthy work environments Pippa Feinstein BA (Hons), JD Pippa will introduce and discuss different types of conflict resolution processes and how they work. She will also address how they can be applied to performance-art environments to better ensure healthy and appropriate workplace behaviour. The subsequent break out session will include an opportunity to practice specific strategies in role-playing scenarios.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1515002341994-QZ9R7GSGS6KO8AUG36WU/image-asset.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Counsellor on site: Alexia Dyer Alexia Dyer is a therapist at East End Therapy where she offers individual and couples counselling. She began her career as a sexual assault trauma counsellor in Winnipeg and has worked for many years in Toronto as a counsellor, mediator, educator and facilitator. Her career path has reflected her capacity to be empathic and non-judgmental while working to further social change. Alexia uses she/her pronouns and identifies as a queer, white settler.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1499276266469-YZ1RI57C4W4SIL4D8VV9/UrgentExchange+MID-CAREER+CRISIS.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1499290999014-ADTQNOLVY3389M2IB9VE/image-asset.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909723346-R9P1Y2EN4CQ8LS6FTMBN/BearBergman%2BHeadshot.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>S.Bear Bergman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909757553-C2PRZ0JUNV12PVGM0M2O/Carly%2BMaga%2BHeadshot.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Carly Maga</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909770433-INPROQADAW4J3K0ZJB3D/Michelle%2BMacArthur%2Bheadshot.jpg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Michelle MacArthur</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1554909780139-PWWCBYP3C3X7V8XS9MXQ/glenn_sumi_headshot.jpeg</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Glenn Sumi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1484759852100-BK0Z4V1C2JQMCA86BZZT/DSCN9855.JPG</image:loc>
      <image:title>#UrgentExchange</image:title>
      <image:caption>Group shot of the brave participants wanting to tackle challenges with hiring practices in Canadian theatre at The White Guy Shuffle on Jan 15, 2017.</image:caption>
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      <image:title>#UrgentExchange</image:title>
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  <url>
    <loc>http://generatorto.com/artistproducerresourcecom</loc>
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    <lastmod>2025-10-25</lastmod>
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      <image:title>About the Artist Producer Resource - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://generatorto.com/about</loc>
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    <lastmod>2025-10-23</lastmod>
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      <image:title>About</image:title>
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      <image:title>About</image:title>
      <image:caption>Patricia Allison and Bianca Guimarães undergoing professional development in the AI with Akai.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/5a330ec5-2c44-4344-8fdf-df9fa652b019/retreat.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Pam Tzeng, Bianca Guimarães, Patricia Allison, Nikki Shaffeeullah at the 2024 Leadership Retreat</image:caption>
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  <url>
    <loc>http://generatorto.com/performance-criticism</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1523901225874-5JPRIL7XJWWT7JBAM5NI/2+-+Rhiannon+Collett.jpg</image:loc>
      <image:title>Performance Criticism Training Program - Rhiannon Collett (they/them)</image:title>
      <image:caption>Rhiannon Collett is an interdisciplinary artist and playwright whose work focuses on themes of queer identity, sexuality and ritual. Selected playwriting credits include Miranda &amp; Dave Begin Again (winner of the 2016 Playwrights Guild of Canada RBC Emerging Playwright Award); Wasp (commissioned by Nightswimming as a part of their 5x25 initiative); The Kissing Game (in development with Youtheatre and Young People's Theatre as part of the 2018 Leaps and Bounds program, developed at the 2018 Banff Playwrights Lab); Tragic Queens (commissioned and devised with CABAL Theatre, nominated for 7 Montreal English Theatre Awards, presented at the 2018 Wildside Festival); The Revolutions (commissioned and produced by Spiderwebshow), and There are No Rats in Alberta (created as a part of the 2017-18 Buddies in Bad Times Emerging Creators Unit, presented at the 2018 Rhubarb Festival). Rhiannon’s writing has appeared in Bad Nudes, OMEGA (Metatron), Montreal: The City Series (Frog Hollow Press), Intermission Magazine and The Globe and Mail. They live in Toronto.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1523901327042-N3SAWV8X2BJNQ9SQ1UWN/HEADSHOT+-+Jordy+Kieto.jpg</image:loc>
      <image:title>Performance Criticism Training Program - Jordy Kieto (he/him)</image:title>
      <image:caption>Jordy is a Congolese Black Panther. Debuting as a stand up comedian in Edmonton, he's gone on to tour most of the Canadian circuit, appearing at the Comic Strip and the Just for Laughs Festival in 2016. Through his media network, NiggaNews.ca, he utilizes AI Technology and Hip Hop culture to dissect everyday events. After moving to Toronto, he was chosen to join the Fringe mentorship program, where he learned production skills, as well as the importance of accountability and representation. His stage credits include The Threepenny Opera, HMS Pinafore, and, most recently the role of Silvio in Dauntless City Theatre's Two Gentlewomen of Verona. He remains ever cognizant of the fact that he was raised by powerful black women. The onus of his work is to pay their love forward.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1523901333537-FW3WK7B8ZD0D9G60VIW5/C1E3E3B4-7989-484F-BB20-E3E7B7154056+-+Robyn+Grant-Moran.jpeg</image:loc>
      <image:title>Performance Criticism Training Program - Robyn Grant-Moran</image:title>
      <image:caption>A Nova Scotian transplant living her best life in Toronto, Robyn has spent the last two decades working as a Registered Massage Therapist by day and dreaming of singing opera and taking singing lessons when it she could afford them. With the spectre of arthritis looming, Robyn decided to take a leap of faith and complete her Bachelor of Fine Arts in music at York University.  As a classical singer and a Métis woman, Robyn found it difficult to connect wholly to the music and pedagogy in the university setting. It was because of this that she discovered a love of ethnomusicology, and recognized the importance of cultural representation in education and the performing arts. Since returning to school, Robyn has had the good fortune of studying with world class teachers, performing in a few operas including the object of her morbid fascination and academic focus, Louis Riel (Harry Sommers).  She’s also been gifted opportunities to try her hand at public speaking as well as the support to foster a love of writing. Though she still works as an RMT, Robyn spends far more time writing about opera and classic music, and attempting to make music of her own.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1547501808786-5M96VYPOXOG2G5CIKOO4/Molly+Johnson.jpg</image:loc>
      <image:title>Performance Criticism Training Program - Molly Johnson (she/her)</image:title>
      <image:caption>Born and raised on Cape Breton Island, Molly Johnson makes body-based texts and performance projects exploring alternative ways of being in a capitalist patriarchal society. A Dora Award-winning dance artist, Molly has danced for and with many brilliant humans including Nova Bhattacharya, Susie Burpee, Sabina Perry, Julia Sasso, Riley Sims, and Heidi Strauss. She has spent a decade performing in public spaces with Dusk Dances, toured internationally with Montréal’s Danièle Desnoyers/Le Carré des Lombes, and was a key collaborator with Marie France Forcier from 2007 to 2016. Her collective and individual work has been presented at PS: We Are All Here, SummerWorks, Kinetic Studio, Dancemakers, Mile Zero Dance, and the Halifax Fringe Festival. Based in Toronto, Molly is co-artistic director of hub14 art + performance works and a freelance writer in the space between. thisismollyjohnson.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1524170251924-X2X2UT16TEKMWGBMIH9D/Asheda+Dwyer.jpg</image:loc>
      <image:title>Performance Criticism Training Program - Asheda Dwyer</image:title>
      <image:caption>Asheda Dwyer is an emerging cultural critic with an interest in performance arts that originated from speculations of literature, film, music, and philosophy. She is also a cultural worker with experience in libraries, galleries, and museums, and holds a Master of Arts degree, with distinction, as well as a graduate diploma in Latin American and Caribbean Studies from York University. Her curiosities to develop theater and other performance-based criticisms form part of her ongoing practice to deepen her study of the arts, and how drama, in particular, stages an accessible ground of inquiry, to dialogue the complexities of relevant, social and political questions, in society. She is inspired to challenge the intellectual quorum of these contemplations as reflected in Canadian contexts, both among and for, new and existing generations of audiences and critics, alike. In early 2017, Asheda successfully launched a communal library project in northern Chile, which serves as a collaboration between grassroots organizations, to support the critical literacy development of marginalized people of local African, and Indigenous, descent. She is also the founder of Pressed – a new literary gathering in the city aimed at supporting critical thinking through engaging arts criticisms at the intersections of black feminist thought, ecological sustainability, and community redevelopment. In 2018, the Ontario Book Publishers Organization in conjunction with the Toronto Arts Council selected her poetry as one of the winning recipients of the annual What’s Your Story competition. Her writing has appeared in Caribbean Quarterly, Shameless Magazine, and The Ethnic Aisle.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5565ecede4b0df78d78d2b36/1524105810989-I8IBABGRDGILRJU12BCB/IMG_1780+-+Shay+Erlich.jpg</image:loc>
      <image:title>Performance Criticism Training Program - Shay Erlich (they/them)</image:title>
      <image:caption>Shay Erlich is a hard of hearing, multiply disabled, and genderqueer child and youth care practitioner, wheelchair dancer, and circus artist. Shay holds a MA degree in Child and Youth Care from Ryerson University and their recent thesis project explored how social circus can be understood as child and youth care practice. Shay’s performing experience additionally includes performing theatre and prose pieces at various Toronto venues. Shay is currently looking to find intersections between wheelchair dance and partner acrobatics and is excited about the future of this new art form. Shay is presently in the process of founding The Cyborg Circus Show - a circus company that focuses on cultivating disabled and non-traditional circus artists and producing circus performance that celebrates the limitless world of disabled circus performers. As a theatre critic, Shay is passionate about better inclusion and representation for disabled artists. Shay is critical about how disability is included and represented in the performing arts scene both locally in Toronto and globally. They believe that there is a need to encourage producers, directors and casting agents to ensure that non-disabled performers are not given roles portraying disabled people, and that the arts sector should encourage and promote disabled people writing disabled characters. There is a need for greater inclusion of art that reflects this lived experience, rather than an experience of disability that comes from an able-bodied writer or choreographer who may unconsciously reflect outdated stereotypes about disability. Shay finds hope in the disability arts scene in Toronto and globally, and believes that we are sitting on the cusp of a disability arts revolution. Shay believes that by cultivating and further supporting disabled writers, directors, producers, and critics, a far more inclusive and representative arts scene in Toronto will continue to emerge.</image:caption>
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    <loc>http://generatorto.com/financial-literacy-archive</loc>
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    <priority>0.75</priority>
    <lastmod>2025-12-18</lastmod>
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      <image:title>Archive Financial Literacy - QUESTIONS?</image:title>
      <image:caption>Email bianca@generator</image:caption>
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    <loc>http://generatorto.com/woke-2</loc>
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    <lastmod>2020-10-05</lastmod>
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      <image:title>WOKE 2.0</image:title>
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